Geddit geddit?

Jokes! Jokes are a great source of plot ideas. An established writer gave me this tip years ago and it has served me well.

Jokes, you see, are plots in miniature. Stories sealed up and ready to go. You’ve got your beginning, middle, end, your conflict, your characters – flaws and all. All you’ve got to do is flesh it out. Expland on it. Change gender and setting if possible. And no, it doesn’t have to be funny because many jokes (indeed, stories) need an element of tragedy to make comedy (and vice vearsa) and you can just crank up the aspect you want to emphasize.

Here’s a joke that gave me an idea for a radio play I once wrote “The Angel of Trafadden” (see urls to podcasts listed on sidebar)

“It was Ryan’s funeral and the pallbearers were carrying the casket out from the church. When they bumped into a pillar, one of them heard a moan from inside the coffin. They opened the lid and found Ryan alive. He lived for another ten years before he properly died. Another funeral was held for him and, as the pallbearers were carrying out the coffin, Mrs Ryan shouted “Now, watch out for that pillar!”

OK, it’s the way ya tell ‘em… But the point is that they don’t have to be the funniest jokes – just so long as there is a story in there, a universal truth with which your readers will react and engage. Wordplay/puns won’t work so well, go for the story…

Here’s another one you can chew on for a story idea (it used to go down well in the creative writing classes I taught in an English prison…)

The defendant knew he didn’t have a prayer of beating the murder rap, so he bribed one of the jurors to find him guilty of manslaughter. The jury was out for days before they finally returned a verdict of manslaughter. Afterward the defendant asked, ‘How come it took you so long?’ the juror said, ‘All the others wanted to acquit’.


Interesting Times

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My Great-Grandfather Lance Corporal Joseph Bohan-O’Shea, killed 1916, Battle of the Somme. 

It’s been a week. Please forgive the wooziness of this post but I’m lying in bed post-operation and full of pain killers. My surgery followed seven tumultuous days here in the UK, where I’m currently based. The country went to the polls and opted to leave the EU. I’m still reeling from this result. Not that my operation had any relation to the referendum, but it was a suitably crap way to cap a crap week.

As a staunch pro-European I believe Brexit a sad and misguided mis-step, that will eventually deliver to the little Englanders exactly that, a little England. I’ve rarely experienced the anti-Irish prejudice here that was so prevalent during my grandparents’ years in the UK, however it does appear that the monster of intolerance and prejudice is raising its ugly head here again and all of this marks a deeply lamentable sea-change in the consensus in Britain. I am pessimistic for the future.

Of course, the wake of the Brexit vote saw the PM resign and his assassin in turn stabbed in the back, whilst the opposition party Labour imploded. And England were kicked out of the Euros by Iceland. Strange days indeed.

Meanwhile, my country Ireland saw its fans awarded a medal for sportsmanship by the mayor of Paris. There’s a scramble for Irish passports by worried Brits with an Irish grandmother (Irish grandparents turn up in the most surprising and diverse family trees: Margaret Thatcher, Sophie Wessex, Che Guevara, Mohammed Ali… to name but a few). Whilst we worry of the re-emergence of the physical border between Ireland (now the most Western outpost of the EU) and the UK, which does not bode well for the peace process.

And somewhat indicative of the historic ties between the UK and its neighbour, Ireland, this day, July 1st, commemorates the Battle of the Somme, where my great-grandfather was killed 100 years ago, wearing a British uniform. It should be a day upon which we remember why the EU, however imperfect, exists – instead, Britain seems intent on issuing divorce proceedings. It’s all wrong.

http://www.myadoptedsoldier.com/archive/myarchive.php?county=Waterford


May Pay Day

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The Tyrone Guthrie Centre, Monaghan.

Well now, that was a month! You struggle and scrimp and study and scribble for ever and a day and you’re on the cusp of giving up… when, it happens.

May happened for me. Yes, this month I had my first stage production (without decor) in a leading London studio theatre (The King’s Head) which was funded by Arts Council England and played to full houses with very positive feedback. The same play is now a finalist for the 2016 Eamon Keane Full Length Play Award (winner announced next week). Then, yesterday, I was granted the Waterford Council Annaghmakerrig Award for a two week stay at the famed artists’ residency,  the Tyrone Guthrie Centre, Co. Monaghan. And just before the clock says goodbye to May, I receive an email to say my play ‘TreeHouse’ has shortlisted for the Little Pieces of Gold showcase at the Southwark Playhouse. Yes, if you wait around long enough, it happens…

So, keep on writing … there are months like these!


Podcast of Strongbow’s Clock!

Strongbow’s Clock podcast on WLRfm (broadcast Oct. 27th).

Set in Brennan’s Bar, a peculiar pub on Waterford’s O’Connell street, Strongbow’s Clock is a comic ghost story concerning a pair of barflies, an immigrant Hungarian barman and the events that ensue when the pub’s clock stops working and a mysterious young woman is swept in the pub door.

Nick and Angela have met at the same time in Brennan’s Bar every evening, for years. They are served by Gabor, a Hungarian who has become ‘more Irish than the Irish themselves’, and who is a keen, if confused orator of Irish history. On this particular evening however, the antics of a Hallowe’en circus in town delays both Nick and Angela’s arrival and interrupts Gabor’s daily ceremony of winding the grandfather clock. The regular flow of events is thus unsettled, jovial banter turns nasty and the exposure of a dark secret looms. Then, the evening takes a further surreal turn with the arrival of a dazed young woman from Ferrybank…

Strongbow’s Clock is a comic ghost story. It is also a study of the consequences when unrequited love is toyed with carelessly, and the violence such passions can stir.

Strongbow’s Clock is directed by acclaimed playwright Jim Nolan and stars leading Irish talent Michael Power, Jenni Ledwell, Ema Lemon and Nick Kavanagh. Strongbow’s Clock was my fourth radio drama and followed Cow, The Daffodil and Cake, also directed by Jim Nolan. My radio work since includes: The Angel of Trafadden, Shellakybooky, The Cat in the Box and Mussels.

Strongbow’s Clock was made with the support of the Broadcasting Authority of Ireland with the television license fee.


Feedback for #BrazenStrap

 

The show is up. Two dates down, one more to go. The journey has not been without its hiccups but all was alright on the night (or matinee). I have yet to go through the feedback forms (on to do list today), though a quick glance says that this show appears to have struck a chord. There’s some really encouraging feedback on social media:

His Excellency the Irish Ambassador Daniel Mulhall came along and had this to say on Twitter post show:

@DanMulhall
Well done to Irish playwright @SueHealy & cast of That Brazen Electric Strap of a Wan. A well-constructed, sharply-scripted, enjoyable play.

And the director Shevaun Wilder:
@ShevaunWilder
Saw great performance of new comic tragic ‪#‎Irish‬ ‪#‎play‬ ‘sans decor’ @KingsHeadThtr today ‘That Brazen Electric Strap of a Wan’ by Sue Healy

From the actor Corinne Wicks:

Funny, poignant and moving new play with no set and a fantastic cast That Brazen Electric Strap of a Wan (yep that’s title!) – @corinnewicks –

Powerful and funny new writing – @popaganda

From TripAdvisor: “What a performance ! This funny pacy short play had a full house when we were there for the opening yesterday.
If you find yourself in London on 14th or 19th – see if there are any tickets left. It is a touching story of Irish life, youth, ageing and the need to have fun. 4 great actors and a nice,taut text.
Hope it gets picked up by the telly and radio. I see from the website it is shortlisted for a prize.”

The final show is on Thurs. 19th at 3pm. Come along!!! http://www.kingsheadtheatre.com

brazen-strap-A5-back-2

 


Limerick for Brazen Strap

A bauld brazen strap from Trafadden

Had wild, wild ways that did madden

Her good sister, Treas

An cailin go deas

‘Til a rent boy from Dublin did happen….

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Show Opening

SHORTLISTED for the EAMON KEANE AWARD. My new play ‪#‎BrazenStrap‬ remaining shows at 3pm SAT 14th and THURS 19th @ The Kings Head, Islington. Dir. Adina Levay, Cast: Paddy Glynn, Frank LavertyMadeleine BrollyDes Healy. Tech: Elaine Lau

COME ALONG!

http://www.kingsheadtheatre.com

 

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Shortlisting!

 

Happy daze

My play, “That Brazen Electric Strap of a Wan”, has been shortlisted to the final six for this years Eamon Keane Full Length Play Award,  at the Listowel International Writers’ Festival in Ireland. Very happy with this news – this script is buzzing….


Rehearsals – final week

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#BrazenStrap

The music is composed, the props are in the post, the actors are off(ish) book and we’re bound for Chelsea Theatre for the final week of rehearsals for ‘That Brazen Electric Strap of a Wan’ at the King’s Head, May 7th, 14th and 19th… It’s really taking shape – final tweaks and touches now.

Majority of tickets sold for first 3 p.m. performance on May 7th, but still a few left if you hurry !! https://kingsheadtheatre.ticketsolve.com/…/873550700/events…


Cast Announced!

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Box office here

My Rehearsals’ Week One vlog thoughts here

My play That Brazen Electric Strap of a Wan,  at the King’s Head Theatre, Islington, May 7th, 14th & 19th, at 3p.m. 
Arts Council England/National Lottery are funding this production-without-décor and I feel very lucky to have attracted some stellar talent to the show.
That Brazen Electric Strap of a Wan will be directed by Adina Levay (Young Vic Directors’ Programme). The cast of four includes high profile Irish actors: Frank Laverty (All That Fall, Michael Collins, Angela’s Ashes), Paddy Glynn (A Skull in Connemara, The Beauty Queen of Leenane, Cinéma Français) Madeleine Brolly (Una, Leaves on the Line) and Desmond Healy (Time and the Conways, Festen).

Set on the fictional Irish island of Trafadden, Co. Waterford, That Brazen Electric Strap of a Wan centres on Treas, a 77-year-old retired headmistress who has been “good” all her life. Nearing the end of her mortal coil, she now determines to absorb her wanton sister Moll’s spirit and explore sex and drugs. For the former she hires a troubled rent boy from Dublin, Ronaldo. The terrain becomes further complicated when the district nurse, Fintan, pays an unexpected visit.

That Brazen Electric Strap of a Wan is a darkly funny comedy-drama about regret, guilt, survival and moving on. Metaphorically, the play is a wry state-of-the-nation look at contemporary Ireland, and the scars left by the century long journey since the turbulent years of the Easter Rising and the War of Independence (1916-1922). 

 

See you there!