Wonderwall

My Wonderwall for ‘Sheila-na-Gig’

I recently blogged about feeling blocked. I had lost my productivity and inspiration and the realisation spun me into a six-week panic attack which was pretty horrible. Nonetheless, I got through it and a lot of pent up creativity burst through with me – coz, Reader, I’m creatin’.

It’s hard to say what pulled me through that scary time. There were a few ‘angels’ around me , but certainly one of the triggers was putting together  a ‘ Wonderwall’. My wonderwall is based on an exercise passed to me by a fellow artist who works in performance and uses the wall method to structure, hone and shape his thoughts when devising a new piece. The Wonderwall (my label, not his) is akin to a spidergram, but poster size, allowing you to lay out your thoughts visually, using text, images, colour, shape and form. The Wonderwall particularly appealed to me, coming as I do from an fine art background.

I began my own Wonderwall by pasting up names of characters, themes, titles and phrases and also sketching images that I felt were somehow intrinsic to a play I wanted to write. With these words and images before my eyes, rather than in my head, I began to see structure and connection where I had not seen any previously. I also noticed recurrent themes in my work that I had not deduced before and I realised I was most frequently writing about the role of women, belief systems, chance, and this knowledge  helped to clarify and solidify the main pull through themes in my new piece.

So, for those of you feeling a little blocked right now, I’d highly recommend this approach because…. after all….  you’re my wonderwaaallll… : )

PS: The house is being renovated at the moment, meaning there are builders in and out of my room every day – I can’t help musing re what they think on my ‘Wonderwall’ – I’m sure they’ve got me pegged as some sort of paranoid conspiracy theorist with a scary ‘thing’ for naked people with goats’ heads…. ah well…

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About suehealy

From Ireland, Sue Healy is Literary Manager at the Finborough Theatre, London, a Lecturer in Creative Writing and Publishing at the University of Lincoln, a Creative Writing tutor at City Lit and the Irish Editor at TheTheatreTimes.com. She is an award-winning writer and playwright, her most recent play, Imaginationship (2018), enjoyed a sold out, extended run at the Finborough and was later selected for a staged-reading at the Stephen Joseph Theatre in Scarborough. Her previous stage productions include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Her short plays have been performed at the Criterion (Criterion New Writing Showcase), Arcola (The Miniaturists) and Hackney Attic (Fizzy Sherbet Shorts). Her radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm. Sue’s prose has won The Molly Keane Award, HISSAC Prize, Escalator Award, Meridian Prize and has been published in nine literary journals and anthologies including: The Moth, Flight, Tainted Innocence, New Writer, Duality, HISSAC, New European Writers. She has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from annual artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy. An academic with a PhD in modern theatre history, specifically the Royal Court Theatre, Sue has presented her research internationally. She spent eleven years in Budapest, editing Hungary A.M. She has a PhD in modern theatre history (Royal Court Theatre) and is a UEA Creative Writing MA alumna. View all posts by suehealy

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