Tag Archives: writing

Panning for Stories

Most writers I know hunt for stories for inspiration. Sometimes they’ll spend their time trawling through news stories, scrolling through social media, watching obscure documentaries. I’ve always been more fed by objects. I spend a sad amount of time in charity shops and car boot sales. Sometimes it’s for treasure I keep or sell, but also because I love researching unusual objects – and filling in the blanks. I may do a podcast or a Substack or both about the thrilling objects or stories I’ve unearthed, but for now I want to share about a new, but related, string to my bow in this scavenging domain. I’ve become a mudlark!

Mudlarks are licenced beachcombers who scour river banks for treasure. In Victorian times, they were impoverished children searching for scraps of metal to sell for a pittance. These days its more of a middle class weekend hobby. And you need a licence, and they’re difficult to obtain, I was on a waiting list for two years. But come it did, last week, and this weekend I hit the foreshore of the Thames, by Hammersmith Bridge, with my trusty trowel.

This is my haul. A WWII ammunition cartridge! It’s a German 1935 Mauser round, potentially live, as the bullet is not spent, but it’s so corroded it’s surely fine. Still, I’m a bit nervous to go at it too aggressively with the old Brasso, so have contacted the police offering to send them photos to ask for their advice. I have no idea why there’s German ammo at Hammersmith, but this is what the serial code says… (and this is where a story is suggested).

The next most interesting piece is what I thought was an old poker or part of a Victorian railings perhaps. It’s clearly been in the river a long long time though. I cleaned it and it’s a Georgian mooring pin, hand forged. Not an antiquity, or of any value really, other than it’s a great example of working river hardware, and representative of the context in which it was found. It was likely used to moor a private boat belonging to one of the Georgian houses in the parade above the bank, the closest of which was built for a mistress of the king. I wonder what pulled it from its root, what storm or getaway? Therein lies a story.

It’s going to my fireplace, a fake poker for a fake fire (good that it’s a non-working fireplace coz, for now, my unspent nazi bullet is atop the mantlepiece). Not bad for my first haul.Then an assortment of the usual, 17th century pipe stems (broken) and various medieval nails, and broken glass and pottery. So many stories.


My Stamp

Do you ever dream about being in a house that isn’t yours? I do, and often. The one that returns most, and has for decades, is set in a large, empty apartment where I’m completely alone. It’s full of shadowy corners and strange, Escher-like staircases and lifts that lead nowhere or arrive at unexpected floors.

Last night, in that unfamiliar space, I painted the walls. I chose bold colours, added artwork, layered in luxurious details. I made it mine. When I woke up, I felt quite smug, before remembering it hadn’t been real.

But also remembering that it kinda is. I am living my dream.

That dream, you see, is closely tied to my waking life now. Last autumn I bought a slightly neglected one-bedroom flat in Baron’s Court, a lovely part of West London/ North Fulham, and I’ve been slowly handing it back its mojo (and saving it from the ignominy of renters magnolia and lino). It’s a blank canvas for me, somewhere I can pour all my creative energy. I don’t have much money, so the work happens gradually, piece by piece—but it’s becoming mine, and the satisfaction of that is immense. I feel I want to exhibit it.

That same creative momentum has begun to spill into other parts of my life too—my writing, my painting, even the way I organise my days.

So here are some Before pics and some, if not quite After pics, some ‘getting there’ images.

BEFORE

AND NOW the Getting Theres:

There’s still a great amount of work to do, and I have workmen coming over the next few months to deal with that which baffles me – plumbing, tiling, electrical stuff and carpentry, but the vibe is nailed down now.

Don’t mind the mess…

Painting my kitchen yellow, ceiling and all (and me, apparently).

So, expect more of these as i go on this renovation journey. I might even do a video!


Options…

It’s cold, it’s snowy and it’s lockdown #47 or whatever… but it’s still beautiful out there. The 6x60min TV series I created during the 1st lockdown was optioned, so there’s always good stuff going on.


Truth!

Henri Hayden ‘The Chess Players’ (1913)

When undertaking my PhD, for five years I shared an apartment with a wonderful elderly man who owned an astounding post-impressionist art collection. This painting was one of the jewels. By the Polish Jewish artist, Henri Hayden, it celebrates the multi-culturalism of Montparnasse. It’s a very appealing image, but it has a strong message at its core – as art must, otherwise it’s just decoration. Writers worth their ink need to making a point with their story. Art must contain some comment on life, on human existence. Therefore, beneath your storyline, there should be something else going on, a deeper message, your take on how humanity works, or doesn’t… Consider Aesop’s Fables, each one is a tale that could be enjoyed on a superficial level by a child, yet there is a deeper meaning, or moral, which endeavors to teach the child some universal truth about life, ie being slow yet determined is often better than being hasty and easily distracted (Tortoise and the Hare).

A good place to seek inspiration for a comment on universal truths is a list of proverbs. A proverb is usually a metaphor and encapsulates in simple terms, a lesson from the common experience of humanity. Here’s an exercise that might get you going: sit down and have a think about the specific meaning of the following and then go freewrite a story illustrating (Or disproving) this philosophy.

You can catch more flies with honey than you can with vinegar. 

The belly has no ears. 

Trees don’t grow to the sky. 

A dumb priest never got a parish. 

The only free cheese is in the mousetrap. 

Eaten bread is soon forgotten. 

The squeaky door gets the oil.

If you think you’re too small to make a difference, you’ve never spent a night with a mosquito. 

Graveyards are full of indispensable people.

The early bird catches the worm, but the second mouse gets the cheese. 


Isolation Art

Art begets art. Great inspiration can be found in complementary art forms. A poet can conjure new ideas from a dance; a musician can be moved to compose by a script.

My second love is visual art. I enjoy painting. I spent a year at art college many moons ago, and although I ultimately pursued writing rather than painting, I often hide out in painting when I’m struggling to find writing inspiration.

This period lends itself very well to re-discovering art forms you haven’t visited in a while. Part of the fun of painting for me is that I’m not a professional. No one expects much of me, so I’m able to approach it as a child would, carefree with no pressure – and that is very liberating and allows for flow.

Here are some of my lockdown efforts. Have you been experimenting with other art forms?


Turkeys Voting for Christmas

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In a week when this old idiom is getting a lot of airtime, I thought it was time to hail the proverb – those little nuggets of philosophy that present complicated reflections in a simple and entertaining way.

Writers worth their ink need to making a point with their story. Art must contain some comment on life, on human existence. Therefore, beneath your storyline, there should be something else going on, a deeper message, your take on how humanity works, or doesn’t… Consider Aesop’s Fables, each one is a tale that could be enjoyed on a superficial level by a child, yet there is a deeper meaning, or moral, which endeavors to teach the child some universal truth about life, ie being slow yet determined is often better than being hasty and easily distracted (Tortoise and the Hare).

A good place to seek inspiration for a comment on universal truths is a list of proverbs. A proverb is usually a metaphor and encapsulates in simple terms, a lesson from the common experience of humanity. Here’s an exercise that might get you going: sit down and have a think about the specific meaning of the following and then go freewrite a story illustrating (Or disproving) this philosophy.

You can catch more flies with honey than you can with vinegar.

The belly has no ears.

Trees don’t grow to the sky.

A dumb priest never got a parish.

The only free cheese is in the mousetrap.

Eaten bread is soon forgotten.

The squeaky door gets the oil.

If you think you’re too small to make a difference, you’ve never spent a night with a mosquito. 

Graveyards are full of indispensable people.

The early bird catches the worm, but the second mouse gets the cheese. 


The Witching Hour

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There is a theory that the brain is more creative in the morning, especially in your waking moments. For this reason, many writers keep their notepad by their beds and make sure that the very first thing they do when they open their eyes each morning, is write. The resultant notes are called “morning pages”.

Morning pages might contain what a writer remembers of their dreams or perhaps the writer will jot down the very first words that come to mind – however nonsensical. Some writers say that this exercise helps them ‘slip’ more easily into what writers’ call the “writing rapture” when a writer feels ideas are pouring into their mind. When writers write in the morning, so the theory goes, they are closer to their sleeping state and the mind is more imaginative and/or receptive to ideas.

Nontheless, there are plenty of writers who write late at night – for the same reason that they say the closer to sleep they are, the more creative their ideas. Then there are other writers who find their most productive hours are in the middle of the day (the Harry Potter author, J.K. Rowling is a good example. She wrote her first book in a busy Edinburgh café).

Therefore, it is clear that different times of the day work for different people and it is really of no consequence whether you are a morning, day or night writer. What is important is that you write and that you find your ideal writing time. Experiment and find what works for you and then set an hour aside each day at that time and write, but do write.


New Term, New Thinking, News papers

The start of the academic year is an important time of year in France, as I recall, where it’s marked on the calendar as “La Rentrée”. It’s celebrated as a new time, a new start, a time for resolutions, a blank page. Writers can use this time to get work flowing, to launch a new project. The challenge is to find inspiration – however, prompts are always at hand.

Leonardo di Vinci used to stare at the walls in his studio until the damp patches formed scenes and figures he wanted to paint. If you look closely at some of his works, you can even see how those dark stains suggested the rock formations he conjured. Of course, you don’t so much ‘get’ ideas as you eek them out from your own subconscious.

Hopefully, you don’t have to have damp patches around your writer’s garret. Yesterday’s newspaper will fulfil a similar role. I worked as a journalist for many years and love newspapers and appreciate them as a source of ideas and stories for the creative writer. For starters, you could just take an existing story and change the setting/gender etc… to make it your own. Ideas will come to you as you start to play with it.

Alternatively, you could apply the ‘what if’ question. The ‘what if’ question prompts you to consider alternative endings to news stories. A good example of this question is Stephen Fry’s Making History, in which he explores a world where Hitler was killed in WWI but an even more dastardly figure comes to prominence, and wins.

The small ads section can spur the imagination. Hemmingway once said his best work was one he wrote in six words: “For sale: baby shoes, never worn”. It’s clever as there is clearly a heavy back story here but Hemmingway, being Papa, does not spell it out. My point is that you could operate in reverse, search the small ads and then write its back story. Think of the tale behind a novel that ends with that small ad.

Then there are photos. Ignore the captions/related stories. Look at the photos and guess what is going on. Develop an identity for someone in the background of a picture. Give them a problem. Imagine how they are being affected by the main event in the photo. The key is to go for the more obscure shots. Obviously, if it’s a picture of 9/11, the chances are you’re not going to come up with anything too original but if it’s a picture of a man biting a dog, you may be on to something.

Reddit and gossip sites are wonderful wells to explore for story. Don’t neglect True Crime mags. One of the best tips I ever received as a writer is “don’t be a snob about where you get your story”.


Is This The End?

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A wise writer once said that editing your manuscript is like putting and octopus to bed, no sooner do you get one tentacle all tucked up than another escapes. You’re checking your structure, your character development, plot, sub-text, dramatic action, theme, language, proof-reading and layout. However, you can also spend so long at the various tentacles that what you’re actually doing is delaying the send out. That’s fear. Don’t be a slave to fear. The following check list might help you decide if your cephalopod is properly tucked in and done:

1) Have you read through your piece a number of times, each revision focusing on different aspects (character, theme, structure, tone, language, punctuation, grammar etc…)?

2) Have you shown your piece to at least one person and received informed and HONEST feedback, and have you then addressed any issues that have been highlighted?

3) Are you now re-reading your work, doing nothing but shifting around commas (and back again)?

If the answer to the above is ‘Yes’, then you’re done and the only reason you’re hesitating sending it off to the agent/publisher/magazine/competition, is that you’re scared of rejection.

Get over that. If you’re going to be a published writer, you’re going to have to suck up a lot of rejection. Be brave. Take the leap. And good luck!


But What Does It All Mean?

Use of theme in creative writing:Seven Deadly Sins Theme Question> Gluttony is Good? Gluttony is Bad? (particularly cupcake gluttony).

Theme is the main idea behind a story/poem/song. It is often a universal idea or philosophy. Think of Aesop’s Fables (The Tortoise and the Hare, The Boy Who Cried Wolf). On one level the stories are simple tales that amuse children but they also carry a second, deeper message – a universal truth. This moral is the theme. Such themes are often relevant to everyone, everywhere, in every language, in every culture.

For your writing to be considered ‘art’ you ought to have a theme. Therefore, as well as writing a story whereby Joe wants Natalie, Joe gets Natalie, Joe loses Natalie – you include an underlying message like: “jealousy kills love’.

As you write your story, don’t lose sight of your theme. Some writers use the theme as their title (Jane Austen’s Pride and Prejudice). Though this is not common, nor encouraged, using your theme as a provisional title on your Work In Progress might keep you focused on your message as you are writing. It is also possible that your theme  may become a tagline or catchphrase associated with your story, like “Greed is good” for Wallstreet (albeit in contrary form).

Examples: your theme could be a comment on the role that luck plays in a person’s life, or your belief that all beings are interconnected. Moralistic writers might warn against the seven deadly sins: wrath, greed, sloth, pride, lust, envy and gluttony. Alternatively, a writer may want to say such indulgences make the world go around. Whatever your theme is, it is your “message” or “philosophy” and ought to be consistently evident in your story.

Once you have found your theme, a way of reminding the reader of its centrality to your story is to place symbolic “motifs” throughout your work. That is to say, if your theme is jealousy, and a widely known symbol of jealousy is “green eyes” – you could give your character green eyes and/or have him own a green eyed statue that unnerves him. You might also have a lot of “green” in your story. Thus, green becomes your story’s “motif” and will help to create a sense of unity in the piece.

Pride is Good? Pride is Bad? What’s Your Take?