Tag Archives: inspiration

Turkeys Voting for Christmas

2016-12-28-13-27-30

In a week when this old idiom is getting a lot of airtime, I thought it was time to hail the proverb – those little nuggets of philosophy that present complicated reflections in a simple and entertaining way.

Writers worth their ink need to making a point with their story. Art must contain some comment on life, on human existence. Therefore, beneath your storyline, there should be something else going on, a deeper message, your take on how humanity works, or doesn’t… Consider Aesop’s Fables, each one is a tale that could be enjoyed on a superficial level by a child, yet there is a deeper meaning, or moral, which endeavors to teach the child some universal truth about life, ie being slow yet determined is often better than being hasty and easily distracted (Tortoise and the Hare).

A good place to seek inspiration for a comment on universal truths is a list of proverbs. A proverb is usually a metaphor and encapsulates in simple terms, a lesson from the common experience of humanity. Here’s an exercise that might get you going: sit down and have a think about the specific meaning of the following and then go freewrite a story illustrating (Or disproving) this philosophy.

You can catch more flies with honey than you can with vinegar.

The belly has no ears.

Trees don’t grow to the sky.

A dumb priest never got a parish.

The only free cheese is in the mousetrap.

Eaten bread is soon forgotten.

The squeaky door gets the oil.

If you think you’re too small to make a difference, you’ve never spent a night with a mosquito. 

Graveyards are full of indispensable people.

The early bird catches the worm, but the second mouse gets the cheese. 

Advertisement

The Witching Hour

5CCCFE88-8528-4F0E-B1C1-7CAAA5FD7488

There is a theory that the brain is more creative in the morning, especially in your waking moments. For this reason, many writers keep their notepad by their beds and make sure that the very first thing they do when they open their eyes each morning, is write. The resultant notes are called “morning pages”.

Morning pages might contain what a writer remembers of their dreams or perhaps the writer will jot down the very first words that come to mind – however nonsensical. Some writers say that this exercise helps them ‘slip’ more easily into what writers’ call the “writing rapture” when a writer feels ideas are pouring into their mind. When writers write in the morning, so the theory goes, they are closer to their sleeping state and the mind is more imaginative and/or receptive to ideas.

Nontheless, there are plenty of writers who write late at night – for the same reason that they say the closer to sleep they are, the more creative their ideas. Then there are other writers who find their most productive hours are in the middle of the day (the Harry Potter author, J.K. Rowling is a good example. She wrote her first book in a busy Edinburgh café).

Therefore, it is clear that different times of the day work for different people and it is really of no consequence whether you are a morning, day or night writer. What is important is that you write and that you find your ideal writing time. Experiment and find what works for you and then set an hour aside each day at that time and write, but do write.


New Term, New Thinking, News papers

The start of the academic year is an important time of year in France, as I recall, where it’s marked on the calendar as “La Rentrée”. It’s celebrated as a new time, a new start, a time for resolutions, a blank page. Writers can use this time to get work flowing, to launch a new project. The challenge is to find inspiration – however, prompts are always at hand.

Leonardo di Vinci used to stare at the walls in his studio until the damp patches formed scenes and figures he wanted to paint. If you look closely at some of his works, you can even see how those dark stains suggested the rock formations he conjured. Of course, you don’t so much ‘get’ ideas as you eek them out from your own subconscious.

Hopefully, you don’t have to have damp patches around your writer’s garret. Yesterday’s newspaper will fulfil a similar role. I worked as a journalist for many years and love newspapers and appreciate them as a source of ideas and stories for the creative writer. For starters, you could just take an existing story and change the setting/gender etc… to make it your own. Ideas will come to you as you start to play with it.

Alternatively, you could apply the ‘what if’ question. The ‘what if’ question prompts you to consider alternative endings to news stories. A good example of this question is Stephen Fry’s Making History, in which he explores a world where Hitler was killed in WWI but an even more dastardly figure comes to prominence, and wins.

The small ads section can spur the imagination. Hemmingway once said his best work was one he wrote in six words: “For sale: baby shoes, never worn”. It’s clever as there is clearly a heavy back story here but Hemmingway, being Papa, does not spell it out. My point is that you could operate in reverse, search the small ads and then write its back story. Think of the tale behind a novel that ends with that small ad.

Then there are photos. Ignore the captions/related stories. Look at the photos and guess what is going on. Develop an identity for someone in the background of a picture. Give them a problem. Imagine how they are being affected by the main event in the photo. The key is to go for the more obscure shots. Obviously, if it’s a picture of 9/11, the chances are you’re not going to come up with anything too original but if it’s a picture of a man biting a dog, you may be on to something.

Reddit and gossip sites are wonderful wells to explore for story. Don’t neglect True Crime mags. One of the best tips I ever received as a writer is “don’t be a snob about where you get your story”.


My Grandma Always Says…

Image

The graveyard is full of indispensable men. 

Writers worth their ink need to be making some point with their story. By that, I mean your tale ought not be solely just a boy-meets-loses-regains-girl trip.

Beneath your storyline, there should be something else going on, a deeper message, your comment on how humanity works, or doesn’t. It is a writer’s (or artist’s) job to present the human condition as they interpret it. It isn’t meant to be heavy and scary, I’m simply suggesting that once you’ve written your story, or even just have an idea for one, you should sit back and consider what it could be saying on a larger, universal scale.

A good way to understand this concept is to consider Aesop’s Fables. Each one is a tale that could be enjoyed on a superficial level by a child, yet there is a deeper meaning, or moral, which endeavors to teach the child some universal truth about life, ie being slow yet determined is often better than being hasty and fickle (Tortoise and the Hare).

A good place to seek inspiration is a list of proverbs. A proverb is usually a metaphor and encapsulates in simple terms, a lesson from the common experience of humanity. Here’s an exercise that might get you going: sit down and have a think about the specific meaning of the following and then go freewrite a story illustrating this philosophy.

You can catch more flies with honey than you can with vinegar.

A little learning is a dangerous thing.

The belly has no ears.

Trees don’t grow to the sky.

A dumb priest never got a parish.

The only free cheese is in the mousetrap.

Eaten bread is soon forgotten.

The squeaky door gets the oil.

 

Image

 

 


Morning Inspiration

my bedroom in the morning light….

ok, ok, it’s that of some bint called Ephrusi de Rothschild of Cap Jean Ferrat – but same thing…

It is said that the closer the brain is to the sleeping state, the more creative it is. For this reason, many writers keep their notepad by their beds and make sure that the very first thing they do when they open their eyes each morning, is write.

The resultant notes are called “morning pages”. Morning pages might contain what a writer remembers of their dreams or perhaps the writer will simply jot down the very first words that come to mind that day. Some writers say that this exercise helps them ‘slip’ more easily into what writers’ call the “rapture” when a writer feels ideas are pouring into their mind from elsewhere.

Just as the waking moments are a bridge from the sleeping state into sober reality – the hour before you go to bed is often a creative time with the brain slipping into that semi conscious state.  Hence there are plenty of writers who write late at night.

And just to show that there are no rules, there are other writers who find their most productive hours are in the middle of the day when all of life’s busyness is in full swing (the Harry Potter author, J.K. Rowling is a good example. She wrote her first book in a busy Edinburgh café).

So, I guess the point is that different times of the day work for different people and it is really of no consequence whether you are a morning, day or night writer. What is important is that you write and that you find your ideal writing time. Experiment. Find what works for you and then set an hour aside each day at that time and write. Likewise, writers have very personal tastes regarding an environment conducive to writing. There are those who like music or TV buzz in the background and those who can only write in silence. Find whatever works for you.


Open the Doors

s6301182

The marvellous Northern Irish painter Betty Brown and her portrait of Medusa.

There are artists and writers who believe ideas are fed to them from “somewhere else”, a parallel universe perhaps, where these images and characters and stories truly exist.

Clearly, that “somewhere else” is a very vague concept and means different things to different scribes: it could be a religious concept, a spiritual one, or even tied in with scientific theory such as ‘brane cosmology’. Whatever your persuasion, writers who hold such beliefs say it is very important to allow your mind to be open to receiving these ideas – wherever they come from.

Personally, I’ve had moments when I felt plugged into a conduit, receiving stories, characters and ideas fully formed, all wrapped up and ready to go – though I hesitate to say if this was a spiritual event or just the  way the brain works in creative mode.

And it is a rare enough event – I can never conjure ‘the writing rapture’ but if I write often it’ll roll around every now and again. And when it does, it’s a  magical moment when stories and characters cascade.

All we can do is sit down to write every day and hope for the best – most days you’ll get coal but if you keep at it, the diamond muse will show up sooner or later.


Portrait of the Artist

sue

Me in thinking pose

Art begets art. A meeting between like-minded artists often results in a cross pollination of ideas which inspire, progress and crystallise art projects. Such an exchange can be an intended collaboration, or it can be an ego driven ‘anything-you-can-do-I-can-do-better’ brandishing. And it hardly matters which,  so long as art ultimately benefits.

Likewise, great inspiration can be found in complementary art forms. A poet can conjure new ideas from a dance; a musician can be moved to compose by a script. I a primarily a writer of prose fiction but as an Art College alumna – when I’m looking for inspiration, I go to an art gallery and meet my muse in the form of the visual arts.

This summer’s sojourn at an Italian artists’ retreat, allowed me to spend time in the company of painters, goldsmiths and photographers, all of whom must have had some serious muse energy considering the amount of work i managed to get done whilst there. I’ve just received this ‘Portrait of the Artist’ from the talented photographer Gwen Walstrand one of my co-retreaters. Thank you Gwen!


Your Fertile Hour

Inspired by the midday sun

Inspired by the midday sun

There is a theory that the brain is more creative in the morning, especially in your waking moments. For this reason, many writers keep their notepad by their beds and make sure that the very first thing they do when they open their eyes each morning, is write. The resultant notes are called “morning pages”.

Morning pages might contain what a writer remembers of their dreams or perhaps the writer will jot down the very first words that come to mind – however nonsensical. Some writers say that this exercise helps them ‘slip’ more easily into what writers’ call the “writing rapture” when a writer feels ideas are pouring into their mind. When writers write in the morning, so the theory goes, they are closer to their sleeping state and the mind is more imaginative and/or receptive to ideas.

Nontheless, there are plenty of writers who write late at night – for the same reason that they say the closer to sleep they are, the more creative their ideas. Then there are other writers who find their most productive hours are in the middle of the day (the Harry Potter author, J.K. Rowling is a good example. She wrote her first book in a busy Edinburgh café).

Therefore, it is clear that different times of the day work for different people and it is really of no consequence whether you are a morning, day or night writer. What is important is that you write and that you find your ideal writing time. Experiment and find what works for you and then set an hour aside each day at that time and write, but do write.


East and West

SueKJFIoNA2

KJSUEFIONA

There are ten years and quite a few countries between these two pictures (above); the first one in Budapest, 2004, the second taken last week in a pub in Pimlico. And these girls are still as strong, funny, fun and gorgeous (even more so!) as they were when we were all young expats living in Hungary.

I spent eleven years in Budapest. They were heady years when I grew up in many ways: when I first fell in love, got a proper job, learned to drive, took my degree, first published my creative writing, bought my first properties and found many of my closest friends. All the above are milestones in one’s life and mine all happened in Hungary. It’s a country which continues to inspire and give grist to my creative output, even if I’ve not lived there in six years now.

I moved to the UK to do an MA in 2008. For the purposes of my Ph.D., I’ve been living in Kensington/Chelsea, London, since September 2014 (as it’s close to the focus of my thesis, the Royal Court Theatre in Sloane Square). This part of London is an impressive and captivating territory and as full of history as Budapest. Likewise, there’s culture and art and parks and shops and museums galore. And now spring’s here, there are visitors… and I’m using them as an excuse to explore the backstreets of Chelsea, or ‘my manor’ as they say in London.

In other words, Chelsea and I have hit it off. I feel that this area and I will have as long and positive a connection as I’ve enjoyed with my friends Kristina and Fiona (pictured above). Nowhere I live in the future will ever compare to Budapest and what I gained from my time there, but when Chelsea’s got her blossom on (see pics below), she sure is going to conjure your muse. Wherever you live, writers, make sure it inspires.

019 029 038 044 056 082


Paper Never Refused Ink

Writers worth their ink need to be making some point with their story. By that, I mean your tale ought not be solely just a boy-meets-loses-regains-girl trip.

Beneath your storyline, there should be something else going on, a deeper message, your comment on how humanity works, or doesn’t. It is a writer’s (or artist’s) job to present the human condition as they interpret it. It isn’t meant to be heavy and scary, I’m simply suggesting that once you’ve written your story, or even just have an idea for one, you should sit back and consider what it could be saying on a larger, universal scale.

A good way to understand this concept is to consider Aesop’s Fables. Each one is a tale that could be enjoyed on a superficial level by a child, yet there is a deeper meaning, or moral, which endeavors to teach the child some universal truth about life, ie being slow yet determined is often better than being hasty and fickle (Tortoise and the Hare).

A good place to seek inspiration is a list of proverbs. A proverb is usually a metaphor and encapsulates in simple terms, a lesson from the common experience of humanity. Here’s an exercise that might get you going: sit down and have a think about the specific meaning of the following and then go freewrite a story illustrating this philosophy.

Graveyards are full of indispensable people.

You can catch more flies with honey than you can with vinegar.

A little learning is a dangerous thing.

The belly has no ears.

Trees don’t grow to the sky.

A dumb priest never got a parish.

The only free cheese is in the mousetrap.

Eaten bread is soon forgotten.

The squeaky door gets the oil.