Try and Try Again

Watching the horizon, Brighton Beach, U.K.

 

I when I was 22, I wrote seven short stories. They were bad, really pretentious, crammed with adjectives and adverbs and with no theme or character development or point to any of them at all but I thought they were pure genius. I sent them off to every magazine I could find in the bookstore. And waited. And waited. And waited… until I became convinced that they had all been lost in the post. It was the only explanation, surely, as any editor would recognize my genius immediately, no? A couple of months later, I received a single rejection letter. And the truth dawned. No one else even bothered replying. It was 100% rejection. I was floored. I burned the stories I was working on and I didn’t send anything else off for another ten years.

That was very stupid of me. I should have brushed myself off and tried again. I would be in a much better position and be a better writer now if I had. But I wasn’t strong or  mature enough to know that then. Ah, well. During my first year on my MA at UEA, I sent out another batch of stories. I’d had a few shorts published at this stage and was confident that I’d now win every competition going and it would pay my MA tuition. And, again I got nowhere. I was pretty down but I recalled how I’d let rejection defeat me before and vowed it wouldn’t happen again. I sent out more stuff, and then more stuff. And after six months, I won the Mary and Ted O’Regan Award, and then the Annaghmakerrig award and the Molly Keane Award, the HISSAC and the Sussex Playwrights’ and this year I’ve been shortlisted for an international award, published in two anthologies and it looks quite likely that a lot is about to bloom on the drama front for me (though I don’t want to jinx that by talking too soon).

Anyway, the moral is don’t give up – look at how you can improve your rejected story and send it out again. Remember, much depends on what the magazine or the competition judge is looking for at that particular time, it may not be a comment on your writing skills. Do a bit of research, try to find a suitable home and try and try again. You will get there in the end.

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About suehealy

Irish writer/playwright Sue Healy’s work has been supported and developed by Arts Council England, Dublin’s Abbey Theatre, the Peggy Ramsay Foundation, the Heinrich Boll Association and Waterford Corporation/Tyrone Guthrie Centre. Her short play ‘The Dog in the Tree House‘ won the 2017 Claremorris Fringe Award. In 2016, her debut stage production, ‘Brazen Strap’ showed at the King’s Head Theatre. She was a finalist for the 2016 Eamon Keane Playwriting Prize, the 2016 Nick Darke Award and the 2016 Old Vic 12. In 2017, her work shows at the Hackney Attic (January) and the Etcetra Theatre (April). Sue’s nine radio dramas have broadcast on BBC Radio 4,WLRfm, KCLR96fm. She has also won the Sussex Playwrights’ Award, presented in the Festival of Contemporary European Drama and has had staged readings of her work in London, Norwich, Brighton and Cornwall. A UEA Creative Writing MA alumna, Sue’s prose won seven national prizes: the Molly Keane Memorial Award, BBC Opening Lines, Escalator Prize and HiSSAC Award. She spent eleven years in Budapest, editing Hungary A.M. Presently, she is London-based, researching a PhD on the Royal Court Theatre. Sue is Deputy Literary Manager at the Finborough Theatre. View all posts by suehealy

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