Wonderwall

My Wonderwall for ‘Sheila-na-Gig’

I recently blogged about feeling blocked. I had lost my productivity and inspiration and the realisation spun me into a six-week panic attack which was pretty horrible. Nonetheless, I got through it and a lot of pent up creativity burst through with me – coz, Reader, I’m creatin’.

It’s hard to say what pulled me through that scary time. There were a few ‘angels’ around me , but certainly one of the triggers was putting together  a ‘ Wonderwall’. My wonderwall is based on an exercise passed to me by a fellow artist who works in performance and uses the wall method to structure, hone and shape his thoughts when devising a new piece. The Wonderwall (my label, not his) is akin to a spidergram, but poster size, allowing you to lay out your thoughts visually, using text, images, colour, shape and form. The Wonderwall particularly appealed to me, coming as I do from an fine art background.

I began my own Wonderwall by pasting up names of characters, themes, titles and phrases and also sketching images that I felt were somehow intrinsic to a play I wanted to write. With these words and images before my eyes, rather than in my head, I began to see structure and connection where I had not seen any previously. I also noticed recurrent themes in my work that I had not deduced before and I realised I was most frequently writing about the role of women, belief systems, chance, and this knowledge  helped to clarify and solidify the main pull through themes in my new piece.

So, for those of you feeling a little blocked right now, I’d highly recommend this approach because…. after all….  you’re my wonderwaaallll… : )

PS: The house is being renovated at the moment, meaning there are builders in and out of my room every day – I can’t help musing re what they think on my ‘Wonderwall’ – I’m sure they’ve got me pegged as some sort of paranoid conspiracy theorist with a scary ‘thing’ for naked people with goats’ heads…. ah well…

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About suehealy

Irish writer/playwright Sue Healy’s work has been supported and developed by the Abbey Theatre, the Peggy Ramsay Foundation, the Heinrich Boll Association and the Tyrone Guthrie Centre. Her play ‘Brazen Strap’ ran at the King’s Head Theatre in May 2016, funded by Arts Council England. Her work has also shown at the Hackney Attic and the Etcetera Theatre in London, with readings in Norwich, Brighton and Cornwall. Sue’s nine radio dramas have broadcast on BBC Radio 4, WLRfm, KCLR96fm. Awards, Residencies and Bursaries: 2017 – Claremorris Fringe Award, Heinrich Boll bursary and residency 2016 - Peggy Ramsay Foundation playwriting grant, Tyrone Guthrie Centre residency, Arts Council England funding 2015 – BBC Opening Lines Award, Arte Studio Ginestrelle residency 2014 - University of Lincoln Ph.D. fees funding 2013 – Escalator Award, Áras Eanna Inis Oirr residency 2012 - Meridian Short Story Prize 2011 – The Molly Keane Memorial Award, Sussex Playwrights’ Award, the HiSSAC Award 2010 - Ted O'Regan bursary, Tyrone Guthrie Centre residency (2016 - Finalist for the Eamon Keane Playwriting Prize, Nick Darke Award and the Old Vic 12) A UEA Creative Writing MA alumna, she spent eleven years in Budapest, editing Hungary A.M. Presently, she is London-based, researching a PhD on the Royal Court Theatre. Sue is Deputy Literary Manager at the Finborough. View all posts by suehealy

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