Tag Archives: playwriting

Are You Going to Scarborough…

OK, not Scarborough Fair… but even better, a Scarborough theatre! The Stephen Joseph, to be precise, an institution closely associated with Alan Ayckbourn.

My most recent play, Imaginationship, will be showcased on August 16th. It was one of five selected for a reading at the this celebrated institution over the summer. I’m traveling up for the event. I’ve never been to Yorkshire, not to mind say Scarborough – so I’m very much looking forward to the show. Do come along if you can.

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It’s How I Roll, baby

writing woman

I’m at my professional best when I’m stressed, with a to-do list in hand and no time to take a break.

We all work in different ways. Some writers need planning and easy, soft pacing. My approach is broad stroke, manic, if slightly anarchic – but I get stuff done. Likewise, we all perform better at different times of the day. Many writers keep their notepad by their beds and make sure that the very first thing they do when they open their eyes each morning, is write, hoping the dream state will have left a creative legacy. The resultant notes are called “morning pages”. Morning pages might contain what a writer remembers of their dreams or perhaps the writer will simply jot down the very first words that come to mind that day. There are writers who say that this exercise helps them ‘slip’ more easily into what writers’ call the “rapture” when a writer feels ideas are pouring into their mind from elsewhere.

Just as the waking moments are a bridge from the sleeping state into sober reality – the hour before you go to bed is often a creative time with the brain slipping into that semi conscious state.  Hence there are plenty of writers who write late at night.

And to show that there are no rules, there are other writers who find their most productive hours are in the middle of the day when all of life’s busyness is in full swing (the Harry Potter author, J.K. Rowling is a good example. She wrote her first book in a busy Edinburgh café).

What is important is that you write and that you find your ideal writing time. Experiment. Find what works for you and then set an hour aside each day at that time and write. Likewise, writers have very personal tastes regarding an environment conducive to writing. There are those who like music or TV buzz in the background and those who can only write in silence. Manic or meditative, find whatever works for you.


London (and Mayo) Calling

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Exited to learn that the inaugural Fizzy Sherbet evening of new writing by women, features my 12 minute play “Lakukuku”. The seven rehearsed readings will be presented at the Hackney Attic on January 24th – if you’re up that way, do come along!

And, and, and…  A 30 minute play of mine, “The Dog in the Tree House” is a finalist for and will be presented at the Claremorris Festival, Co. Mayo this March (date TBA). By happy chance, I have a two week residency at the Heinrich Boll cottage in Co. Mayo at precisely that time (sweet serendipity) so will definitely be in Claremorris to see the performance.

If any of you are in London, or Mayo, I hope you can make it along!