Open the Doors

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The marvellous Northern Irish painter Betty Brown and her portrait of Medusa.

There are artists and writers who believe ideas are fed to them from “somewhere else”, a parallel universe perhaps, where these images and characters and stories truly exist.

Clearly, that “somewhere else” is a very vague concept and means different things to different scribes: it could be a religious concept, a spiritual one, or even tied in with scientific theory such as ‘brane cosmology’. Whatever your persuasion, writers who hold such beliefs say it is very important to allow your mind to be open to receiving these ideas – wherever they come from.

Personally, I’ve had moments when I felt plugged into a conduit, receiving stories, characters and ideas fully formed, all wrapped up and ready to go – though I hesitate to say if this was a spiritual event or just the  way the brain works in creative mode.

And it is a rare enough event – I can never conjure ‘the writing rapture’ but if I write often it’ll roll around every now and again. And when it does, it’s a  magical moment when stories and characters cascade.

All we can do is sit down to write every day and hope for the best – most days you’ll get coal but if you keep at it, the diamond muse will show up sooner or later.

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About suehealy

Irish writer/playwright Sue Healy’s work has been supported and developed by Arts Council England, Dublin’s Abbey Theatre, the Peggy Ramsay Foundation, the Heinrich Boll Association and Waterford Corporation/Tyrone Guthrie Centre. Her short play ‘The Dog in the Tree House‘ won the 2017 Claremorris Fringe Award. In 2016, her debut stage production, ‘Brazen Strap’ showed at the King’s Head Theatre. She was a finalist for the 2016 Eamon Keane Playwriting Prize, the 2016 Nick Darke Award and the 2016 Old Vic 12. In 2017, her work shows at the Hackney Attic (January) and the Etcetra Theatre (April). Sue’s nine radio dramas have broadcast on BBC Radio 4,WLRfm, KCLR96fm. She has also won the Sussex Playwrights’ Award, presented in the Festival of Contemporary European Drama and has had staged readings of her work in London, Norwich, Brighton and Cornwall. A UEA Creative Writing MA alumna, Sue’s prose won seven national prizes: the Molly Keane Memorial Award, BBC Opening Lines, Escalator Prize and HiSSAC Award. She spent eleven years in Budapest, editing Hungary A.M. Presently, she is London-based, researching a PhD on the Royal Court Theatre. Sue is Deputy Literary Manager at the Finborough Theatre. View all posts by suehealy

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