February 28, 2016
Open the Doors
The marvellous Northern Irish painter Betty Brown and her portrait of Medusa.
There are artists and writers who believe ideas are fed to them from “somewhere else”, a parallel universe perhaps, where these images and characters and stories truly exist.
Clearly, that “somewhere else” is a very vague concept and means different things to different scribes: it could be a religious concept, a spiritual one, or even tied in with scientific theory such as ‘brane cosmology’. Whatever your persuasion, writers who hold such beliefs say it is very important to allow your mind to be open to receiving these ideas – wherever they come from.
Personally, I’ve had moments when I felt plugged into a conduit, receiving stories, characters and ideas fully formed, all wrapped up and ready to go – though I hesitate to say if this was a spiritual event or just the way the brain works in creative mode.
And it is a rare enough event – I can never conjure ‘the writing rapture’ but if I write often it’ll roll around every now and again. And when it does, it’s a magical moment when stories and characters cascade.
All we can do is sit down to write every day and hope for the best – most days you’ll get coal but if you keep at it, the diamond muse will show up sooner or later.
From Ireland, Sue Healy is Literary Manager at the Finborough Theatre, London, a full-time Lecturer in Creative Writing at the University of Lincoln. Her book on theatre literary management is published by Routledge, December 2022.
Sue is an award-winning writer for stage, TV, and prose writer.
Her current project, a 6x60minute TV series, is under option. She is under commission with Lone Wolf Media, producers behind PBS’ “Mercy Street”, to co-write the pilot and treatment for a six-part TV series.
Her most recent stage-play, Imaginationship (2018), enjoyed a sold out, extended run at the Finborough and later showed at the Stephen Joseph Theatre in Scarborough. Her previous stage productions include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Sue’s short plays have been performed at the Criterion (Criterion New Writing Showcase), Arcola (The Miniaturists) and Hackney Attic (Fizzy Sherbet Shorts).
Her radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm.
Sue has won The Molly Keane Award, HISSAC Prize, Escalator Award, Meridian Prize and has been published in nine literary journals and anthologies including: The Moth, Flight, Tainted Innocence, New Writer, Duality, HISSAC, New European Writers. She has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from annual artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy.
An academic with a PhD in modern theatre history, specifically the Royal Court Theatre, Sue has presented her research internationally. She spent eleven years in Budapest, editing Hungary A.M. She has a PhD in modern theatre history (Royal Court Theatre) and is a UEA Creative Writing MA alumnus.
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