I Read the News Today, oh Boy!


Following a brain popping sojourn at the Edinburgh Fringe I had to whoosh to Kent for the wedding of two of my favourite people on earth. A perfect day, finishing a perfectly inspiring couple of weeks. I’m on my way back to Norwich and saw this headline advertised in a railway station and it made me think of how wonderful a source of story ideas newspapers are.

 I worked as a journalist for many years and believe that the paper press is the richest source of inspiration available to writers. For starters, take this headline, and without reading the story what do you think could lie behind it? Or, you could just take an existing story and change the setting/gender etc… to make it your own. Ideas will come to you as you work on it.

Alternatively, you could apply the ‘what if’ question to a story’s possible outcome. The‘what if’ question prompts you to consider alternative endings. A good example of this question is Stephen Fry’s Making History, in which he explores a world where Hitler was killed in WWI but an even more dastardly figure comes to prominence, and wins.

The small ads section can spur the imagination. Hemmingway once said his best work was one he wrote in six words: “For sale: baby shoes, never worn”. It’s clever as there is clearly a heavy back story here but Hemmingway, being Papa, does not spell it out. My point is that you could operate in reverse, search the small ads and then write its back story. Think of the tale behind a novel that ends with that small ad.

Then there are photos. Ignore the captions/related stories. Look at the photos and guess what is going on. Develop an identity for someone in the background of a picture. Give them a problem. Imagine how they are being affected by the main event in the photo. The key is to go for the more obscure shots. Obviously, if it’s a picture of 9/11, the chances are you’re not going to come up with anything too original but if it’s a picture of a man biting a dog, you may be on to something.

Go hunting, Newshound!


About suehealy

From Ireland, Sue Healy is Literary Manager at the Finborough Theatre, London, a full-time Lecturer in Creative Writing at the University of Lincoln. Her book on theatre literary management is published by Routledge, December 2022. Sue is an award-winning writer for stage, TV, and prose writer. TV Her current project, a 6x60minute TV series, is under option. She is under commission with Lone Wolf Media, producers behind PBS’ “Mercy Street”, to co-write the pilot and treatment for a six-part TV series. Stage Her most recent stage-play, Imaginationship (2018), enjoyed a sold out, extended run at the Finborough and later showed at the Stephen Joseph Theatre in Scarborough. Her previous stage productions include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Sue’s short plays have been performed at the Criterion (Criterion New Writing Showcase), Arcola (The Miniaturists) and Hackney Attic (Fizzy Sherbet Shorts). Radio Her radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm. Prose Sue has won The Molly Keane Award, HISSAC Prize, Escalator Award, Meridian Prize and has been published in nine literary journals and anthologies including: The Moth, Flight, Tainted Innocence, New Writer, Duality, HISSAC, New European Writers. She has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from annual artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy. An academic with a PhD in modern theatre history, specifically the Royal Court Theatre, Sue has presented her research internationally. She spent eleven years in Budapest, editing Hungary A.M. She has a PhD in modern theatre history (Royal Court Theatre) and is a UEA Creative Writing MA alumnus. View all posts by suehealy

6 responses to “I Read the News Today, oh Boy!

  • claudiajustsaying

    Sue, Thanks for the writing ideas. I’m giving up playing Spider Solitaire to try them….just saying, Claudia

  • broadsideblog

    Actually, 9/11 photos could prompt a great deal. Have you seen (which is frightful in both senses of the word) the image called Falling Man? It was taken by a friend of ours. One could write a whole story about being the person who took the photo that no one, anywhere, ever wanted to see. Including him.

    • TheTruthShallSetYouFree

      Hey, I’m glad to finally meet someone who knows the person who took that photo. I remember reading an in-depth analytical piece in a newspaper a couple of years ago on the Falling man: what he was thinking as he went down, speculation on who he might be, his coolness in the face of a crumbling burning tower. Amazing.

  • Paul J. Stam

    I read the news today too and wished I hadn’t. But I want to thank you for following my blog, papermudandme.wordpress.com which is mostly about my books and about my pottery. Thanks again. – Aloha from Hawaii. – pjs.

  • echoesofthepen

    I envy your time at the Fringe, sadly I couldn’t make it this year.
    About your post, it does strike a cord. It puts me in mind of the ‘alternate endings’ theme where the viewer has the option of watching a different outcome to a film’s conclusion (28 days later, Blade Runner, et al), but it’s good you’ve expanded on the idea somewhat, of taking the story in a different direction right from the start. Thanks!

  • btg5885

    You can not go wrong with a Beatles song phrase as your title. I stopped by for a visit at the encouragement of someone who follows you. I think I will come by again. Now, I will go about humming this clever Beatles’ song the rest of my morning….”now we know how many ‘holes it takes to fill the Albert Hall.” All the best, BTG

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