Tag Archives: writing exercise

Are You a-Mused Yet?

Get Your Muse On

There are writers feel story and character ideas are fed to them from “somewhere else”. That “somewhere else” is a very vague concept and means different things to different scribes. Nonetheless, writers who hold such beliefs say it is very important to allow your mind to be open to receiving these ideas – wherever they come from.

Personally, I’ve had moments when I felt plugged into a conduit, receiving stories, characters and ideas- though I hesitate to say if this was a spiritual event or just the  way the brain works in creative mode.

And it is a rare enough event – I can never conjure ‘the writing rapture’ but if I write often it’ll roll around every now and again. And when it does, it’s a  magical moment when stories and characters come swimming to me, all done-up, pre-packaged and ready to go.

All we can do is sit down to write every day- most days you’ll get coal but if you keep at it, the diamond muse will show up sooner or later.


Set yourself free

Be free

Freewriting is what you write when there’s no one looking. Freewriting is the madman in your brain taking the controls and sending words all the way down to the tips of your fingers. Freewriting is where you’ll find the most brilliant story ideas, if you look hard enough.

To freewrite, just write. Write the first word that comes to mind and then follow it with another. Set an alarm if you can. Don’t worry about grammar, structure, character development – just write. And when you’re done, stand back and take a look. Is there anything in there you can use. I’ll say there is!

Here’s an example:

‘Right now I’m sitting at my computer and the coffee cup is on the edge of my desk. It looks a little like an iceberg, as it is white and chipped and cold because the coffee has been in it since the morning as I didn’t do the washing up last night and the sink is full of plates and saucers. All those plates look surreal sitting unwashed in the sink like that. All at different angles like a Picasso painting with ketchup instead of paint dribbled over the plates. I wonder if Picasso got his ideas from waking up one morning and seeing his jumble of washing up in the sink I wonder if all the museums in the world actually have pictures of Picasso’s washing up and not his mistresses and Guernica and does that mean the joke is on us?’

The above freewrite might seem silly but it’s also an example of how freewriting could, potentially, inspire a proper piece of writing. This daft thought about Picasso’s washing up could easily be worked into a comedy radio play where a hung-over Pablo Picasso and Henri Matisse wake up after a night out on the town and dare each other to paint a picture of the mess of washing up in the sink. Thus, the modern art movement is accidentally launched. Another possibility you could take from this freewrite is the concept that something generally considered ugly and in need of repair or attention (washing up) can lead to tremendous artistic inspiration – and this idea could form the kernel of a short story or a poem.

Here, chose one of the prompts below and let it lead you into a three minute freewrite.

I wish I had said….

It was no use pretending….

A long time ago…

For the first time ever….


Just Kidding!

Jokes! Jokes are a great source of plot ideas. An established writer gave me this tip years ago and it has served me well.

Jokes, you see, are plots in miniature. Stories sealed up and ready to go. You’ve got your beginning, middle, end, your conflict, your characters – flaws and all. All you’ve got to do is flesh it out. Expland on it. Change gender and setting if possible. And no, it doesn’t have to be funny because many jokes (indeed, stories) need an element of tragedy to make comedy (and vice vearsa) and you can just crank up the aspect you want to emphasize.

Here’s a joke that gave me an idea for a short story recently shortlisted for a competition:

“It was Ryan’s funeral and the pallbearers were carrying the casket out from the church. When they bumped into a pillar, one of them heard a moan from inside the coffin. They opened the lid and found Ryan alive. He lived for another ten years before he properly died. Another funeral was held for him and, as the pallbearers were carrying out the coffin, Mrs Ryan shouted “Now, watch out for that pillar!”

OK, it’s the way ya tell ‘em… But the point is that they don’t have to be the funniest jokes – just so long as there is a story in there, a universal truth with which your readers will react and engage. Wordplay/puns won’t work so well, go for the story…

Here’s another one you can chew on for a story idea (it goes down well in the creative writing classes I give in an English prison…)

The defendant knew he didn’t have a prayer of beating the murder rap, so he bribed one of the jurors to find him guilty of manslaughter. The jury was out for days before they finally returned a verdict of manslaughter. Afterward the defendant asked, ‘How come it took you so long?’ the juror said, ‘All the others wanted to acquit’.


Go “hggahgoiihaghoogla”

Got that morning feeling?

It’s dawn 6am and you’ve risen early just to get those ‘morning pages’ done. And you’re staring at a blank sheet. Writer, you need warm up.

Just as many painters will apply a beige wash to a blank canvas to stop it looking so virgin – you’ll need to put something down on the page – “hggahgoidihgogha” will do, just get something down, break that white, crack that ice. Next, do a non-dominant hand exercise. If you are right-handed, then pick up a pen and start to write with your left. If you’re on a laptop, then type “The quick brown fox…” with your left hand alone. If you’re left-handed, apply vice vearsa.

Enjoy the sensation of the pen flowing over your paper or the tap of your finger tips on the keyboard and don’t think too hard about what you’re writing. Let it flow. When you’ve written out the fox/dog sentence a few times, continue on with the story. Where does the fox go next? Why is the dog feeling lazy? Where are they? What does the air smell like? What sounds can you/they hear? Is it hot or cold? Wet or dry? How does the dog feel when the fox jumps over him? Does he plan revenge? Once you’ve done a paragraph or two, you’ll probably find that the creative juices are flowing enough for you to turn your attention to that story you were working on before – or read over your freewrite, there might be the kernel of something worth working on.

Now, I’m off to take my own advice…


The Why of it All

A Norfolk flint wall, cracking with ideas

Well done all of you six month challengers who have plugged into the writing rapture and are producing realms of the stuff. I am in awe.

I haven’t been doing so well on my target of 500 a day, and that makes me feel awful as I was the one who launched the comp. I know I can find excuses what with being out of the country and all but it’s just not good enough, dammit.

I’m also being slack re writing short stories of late and I’m usually very on the ball there. I think I may simply be tired. Anyway, to motivate myself and hopefull you too, I’m going to re-post here a list of reasons I should keep working on my short stories (as well as my novel, but that reason is self evident).

a) Being shortlisted encourages and motivates when such stuff is difficult to come by in the writers’ life.

b) I can get published in literary magazines.

c) Money, if I win.

d) It keeps me on my toes and hones and polishes my craft.

e) By writing stories I build up a portfolio just in case I’m ever offered a collection.

f) It gives me an edge when applying for bursaries, residencies, funding etc..

g) It might bring  the attention of publishers.

h) Short stories are something I can work on when time is limited.

i) An agent once told me that it is important to build up your writing ‘credits’.

j) Agents are human and sometimes don’t trust their own judgement, so wins and commendations give you that ‘seal of approval’/credibility.

k) Short story writing is a better displacement activity than making a cup of tea.

M) Having good writing credits help when applying for writing jobs.

p) Writing short stories reminds me that I’m a writer.

Now, I guess I should stare at a wall like Leonardo da Vinci and get inspired. Hello wall, have you got any novel ideas?

Six Month Challenge:

Day 5

Word count: 1,900


Back in Norwich. Back in action.

 

The Market, Norwich.

 

Apologies for the scant and scatty posts over the past few days. As explained, I was in Ireland to run my first creative writing workshop (well, the first that I’m running independently). All went extremely well. The feedback was positive and I’m now motivated to bring this workshop forward and make it a regular event, hopefully hosting sessions in Ireland, France and Hungary.

Also, RTE have contacted me again (that’s the Irish national TV station) about writing for them. It is the second time they’ve asked if I’d be interested in trying out for a gig with them and I might as well give it a go this time. I’m now awaiting news on my short-listing for the Wells Literary Festival competition and my long listing on the HISSAC. These three ships may indeed sink before they make it back to port, but at least they are on the horizon now and that’s exciting.

I have to admit that I’ve not done any novel writing today. I’m leaning on the excuse that having eventually found a non-fog-bound flight back to Norwich from Ireland yesterday, I was too exhausted to get out of bed this morning. Wee weak girlie that I am. Am determined to make up for this tonight.

My current word count is 1,500.  It’s day four. I’m 500 words under target.

 

How are you guys all doing?


1,000 Word Kick Off

I’m in Ireland, having just finished running my first workshop . All went well, I think (I’m waiting to get feedback).

Managed to hit my 1,ooo word target for the six month challenge. I promise to post properly when I’m back on my own Internet connection. Well done to all you who’ve had a good lift off and have also met your targets.

Day 2

Wordcount: 1,000


A Dream on Tour

Dreamer

A quick post to thank all of you who have signed up for the ‘write an novel in 6 months’ challenge. I’m looking forward to getting up at the crack of dawn (well, sort of) on Saturday to get my first 500 words down. We can do it (ooo, feel a slogan coming on…)

Saturday will be a day for firsts for me. I’m launching my creative writing workshop in Waterford, Ireland at Grayfriar’s Art Centre in the city on October 1st. The course, which I’ve authored myself, provides novice writers with the basic tools of the creative writing craft. It’s designed to entail two face-to-face workshops taking place on the first and last Saturday of a given month.

The first Saturday will focus on: finding inspiration, use of language, developing character, theme and structure. The ensuing four weeks will see the students work on a project of their choice with online support from me. The final face-to-face workshop, on the last Saturday in the month, will focus on editing, submitting and will finish with a peer workshop  – after which I’ll give a professional critique and advice on how to bring the piece forward.

I’m planning to run a further workshops in Waterford at the end of the year and in Galway in the new year. If all goes well, and I’m confident it will (well, nerves aside) I am hoping to ‘tour’ the workshop outside Ireland, taking it to Budapest, Nice and London in 2012.

It’s an ambitious plan but I can do it (there’s that slogan again). And we’ve got to dream – as writers, it’s part of the job description.

Therefore, I hope my fellow six-monthers will understand if I don’t post about the the first 500 words until Monday – as I have to fly to Ireland for the workshop.

Please wish me (and my touring course) good luck


Write a Novel in 6months

Novel this way; Go for it!

How long does it take to write a novel?

When I was a teen, my favourite novel was Bonjour Tristesse by Francoise Sagan which the young Frenchwoman supposedly wrote in a three week sitting. However, I’m sure that legend is somewhat misleading. Though Sagan may have got the initial splurge down on paper in three weeks, it probably took many months of overhaul to bring to publishable standard.

Everyone writes differently. Everyone has their own approach. Some may write 2,000 words a day but may only be able to use about 200 of them come editing stage. Others might get 100 down, but they’ll be good, solid words you can bring forward. The former write from the outside in, the latter move slowly from the inside out.

‘Outsiders’ write manically, getting the story and the words on page. They’ll get a surplus of words on paper relatively quickly and will then spend the next six months to a year editing, rewriting, crafting, pruning and shaping. ‘Insiders’ tend to be methodical planners. They have a very clear idea of where they are going with their novel before they sit to write a single word and then they revise every sentence as they go. This method is quite painstaking, however the writer will not have much of an editing stage as they are, essentially, editing as they go. Therefore, it is hard to say how long it takes to write a novel. That very much depends on your approach.

The Six-Month Challenge

Having said that, I recently read about a ‘six-month’ challenge and I think it is a good regime for beginners. The idea is that you give yourself six months to write 80,000 words. You need to commit to writing 500 words every day. This figure is roughly a page of text, double spaced in 12 point Times New Roman font. Give yourself 45 minutes (at least) per day to deliver. Do not allow internet/phone/family/any distractions to interfere with this time. You may say that you are too busy but we can all find 45 minutes if we try. Get up 45 minutes early, skip your daily soap opera, cut down on your web-surfing etc… You’ll find the time if you want to. By the end of six months, you should have 80,000 words to spend the next six months polishing and editing. I am seriously thinking of doing the ‘six-month challenge’, to work on an idea I’ve had for a novel for a while.

I’m thinking of starting on October 1st. Would any of you be interested in joining me in this exercise. The team spirit would carry us all forward and would keep us focused.

Honk if you’re in!


I read the news today

Take the plunge; go fishing for ideas

Leonardo di Vinci used to stare at the walls in his studio until the damp patches formed scenes and figures he wanted to paint. If you look closely at some of his works, you can see how those dark stains suggested the rock formations he conjured. Leonardo’s wall staring is an illustration of how easy it is to get creative ideas. In fact, in my opinion, you don’t so much ‘get’ ideas as you eek them out from within. A headline, for example, will just awaken a story you’ve always wanted to tell. I see stories as akin to fish swimming inside us, we just need a hook to get a good catch.

Hopefully, you don’t have damp patches around your writer’s garret. You may have yesterday’s newspaper, however. I worked as a journalist for many years and love newspapers and appreciate them as a source of ideas and stories for the creative writer. For starters, you could just take an existing story and change the setting/gender etc… to make it your own. Ideas will come to you as you work on it.

Alternatively, you could apply the ‘what if’ question. The ‘what if’ question prompts you to consider alternative endings. A good example of this question is Stephen Fry’s Making History, in which he explores a world where Hitler was killed in WWI but an even more dastardly figure comes to prominence, and wins.

The small ads section can spur the imagination. Hemmingway once said his best work was one he wrote in six words: “For sale: baby shoes, never worn”. It’s clever as there is clearly a heavy back story here but Hemmingway, being Papa, does not spell it out. My point is that you could operate in reverse, search the small ads and then write its back story. Think of the tale behind a novel that ends with that small ad.

Then there are photos. Ignore the captions/related stories. Look at the photos and guess what is going on. Develop an identity for someone in the background of a picture. Give them a problem. Imagine how they are being affected by the main event in the photo. The key is to go for the more obscure shots. Obviously, if it’s a picture of 9/11, the chances are you’re not going to come up with anything too original but if it’s a picture of a man biting a dog, you may be on to something.

Your stories are within, take the plunge and go fishing.