Acquiring the Craft…

The word “writer” often carries weighty connotations. Some see a “writer” as a genius whose works astonish and awe the world. Others perceive a “writer” as “mad” and “misunderstood” artist who lives on the edge of life, burdened by their aforementioned genius and often turning to drink and drugs for both inspiration and solace.

The truth, at least concerning the vast majority of writers (and all creative artists), is more mundane. Writing is a craft, a skill anyone can acquire through practice. Although writers can be drug addicts and alcoholics just like members of any other profession – they can also be tee-total, health nuts or just very ordinary people living on your street who do regular things like shop at Tesco’s or Walmart and go to the pub/club on Friday night.

In other words, writers are normal people and as different from each other and varied as regular people are. The single trait they all have in common is that they write. By that, I mean they are disciplined and they write on a regular basis. They give time to their craft, acquiring it, polishing it, perfecting it.

I was thinking of this point this week when a friend of mine saw his debut novel published. Apocalypse Cow is a wirk by Glaswegian writer Michael Logan, who served his apprenticeship as a creative writer via a writing group in Budapest (my old home). His novel went on to win the Terry Pratchett prize last yeear. I mention Apocalypse Cow not only as a congratulatory plug for a well deserving author but because it is reassuring to know that a nice, down-to-earth, hard-working, good guy like Michael gets to see his work published by a mainstream publishing house. Very much looking forward to reading my copy (on order).

 

Well done, Michael, you’re an inspiration to all of us!


Speaking of Stories

Speaking of Stories… I recently received a mail from a friend who asked me what the easiest way was to read my stories on line. The interest is flattering and I’m happy to list the following sites where a couple of pieces of my work have been published, following a win/placement:

Ha-Ha – A blackly comic story, with a twist. A runner up in the Limnisa/Bluethumbnail Competition: http://www.bluethumbnail.com/Author/ha-ha.html

The Last of the Shower – A quirky and nostalgic punk looks to wake his dead bandmate: HISSAC Highlands and Islands Short Story Association Competition has ‘The Last of the Shower” on their site (which won the2011 Award). http://www.hissac.co.uk/2011_stories.html#first

The Pretender – A tale with a twist and intrigue, which was ‘highly commended’ in the Twisted Stringybark competition. ‘The Pretender’ can be downloaded as part of an anthology: http://www.smashwords.com/books/view/162482

Many more of my stories are published in anthologies or literary magazines, so you’d have to order. But if any of you would like to have a look at the above, I’d be delighted! Thanks for the interest, guys!


Short Story Published in Anthology

 

My short story ‘The Pretender’ was highly commended in the annual ‘Twisted Stringybark Award’ and is to be published in the accompanying anthology. Always good to get a writing credit.

There’s both a kindle version and a paperback. Here’s the e-version order details: http://www.smashwords.com/books/view/162482


Wish You Were Here…

My old friend, Budapest-based Scottish painter JIm Urquhart at an exhibition of his swimming pool painting in Brighton this weekend.

I’ve just spent a few days at the Brighton Festival. I’m here by a sort of mistake – it’s a long story, but by wild coincidence, a good painter friend of mine from Budapest was also in Brighton this weekend – exhibiting his paintings as part of the event (note to self: I must blog about how threads of wild coincidence knit through my life, yet I can never use them in my fiction as they are just too unbelievable).

Jim Urquhart is a Scottish painter who has lived in the Hungarian capital for decades. He was actually one of the first people I met in Hungary in 1998 when I moved there first, and has remained a great friend and artistic supporter down the years. So, I was delighted by the serendipity which had us both wash up on the shores of Sussex this weekend. Great show too, Jim!

Brighton also allowed me the opportunity to catch up with another friend, the County Antrim poet and current Brighton resident, Brendan Cleary. I get great inspiration and encouragement from artists working in other art forms and meeting up with Jim and Brendan over the weekend, has also delivered all the other positives that time spent with good artists provides: discussion and progression of ideas, affirmation that art is what I am about and what I should do, reassurance that as difficult and isolating it can be to be an artist, it is also hugely rewarding. And, if you are an artist, there is nothing you can really do about it – you have to create.

I’m thanking whatever powers conspired to get me here this weekend to hang out with such creative minds. I’m all fired up and reassured. Here’s to artistic fellowship!

Brighton also allowed me to catch up with another old friend, Brighton-based Co. Antrim poet, Brendan Cleary.


Quite a Character

Name her. Now answer the questions below about her.

If you want to hook your readers, you’ll need a character that leaps off the page. A good character is believable and interesting. Firstly, be careful your character is not of music-hall-cliche stock (dumb blonde, greedy banker, uber-organized German, upper class twit etc…) – the problem here is that the reader will have met your character far too many times before to find them interesting now. As usual, turning the cliche on its head can be a good place to start getting ideas (chess-master page three girl, a banker who secretly gives away money etc…)

Also, don’t focus on describing what they look like from head to toe. In fact, their general physical appearance is not so revealing – the key is often in the interesting quirks and blemishes. Moreover, you ought to climb inside your character’s skin, get to know them intimately and let the reader see how they tick. It  is  good if there is something unusual about them. Here’s a sample list of questions you could mull in order to give your character depth:

Rather than describe the colour of their hair and eyes, write instead about their height.

What about their gait, posture and walk? Does he flutter, jerk, flap or glide?

If you first met this character, what would strike you most?

Does s/he resemble an animal?

What is their natural scent?

What sort of diet do they have and what has been the physical impact of this regime?

What does their best friend think of them?

What happens when your character gets drunk?

What does your character have in his/her pockets/handbag/beside table?

What is your character’s favourite joke?

Also, to make your character particularly memorable, give him/her/it a singular physical attribute your reader will long associate with them. Think of it this way, if you were going to a costume party dressed as Harry Potter, Sherlock Holmes, Miss Havisham or Liesbeth Salander – what would you need? My guesses are, respectively: a lightening bolt scar, a deerhunter hat and pipe, an old wedding dress, and a dragon tattoo. Try to imagine what you’d need to be recognizable as your character.


Read it and weep

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Me and fish n’chips, Cromer, May 2012

Thanks to ‘Typehype’ for the heads up re my story ‘Ha Ha’ being published on the Bluethumbnail site. ‘Ha Ha’ was runner up in the Limnisa/Bluethumbnail 2012 competition. Please feel free to have a read if any of you have the time or inclination. Sue xo

http://www.bluethumbnail.com/Author/ha-ha.html


Hirst Impressions

Herself and Himself – me in conversation with Damien Hirst’s work, outside the Tate Modern, Southbank, London, April 2012. – Photo Amelia Nunes


Art begets art. A meeting between like-minded artists often results in a cross pollination of ideas which inspire, progress and crystallise art projects. Such an exchange can be an intended collaboration, or it can be an ego driven ‘anything-you-can-do-I-can-do-better’ brandishing. And it hardly matters which,  so long as art ultimately benefits.

Likewise, great inspiration can be found in complementary art forms. A poet can conjure new ideas from a dance; a musician can be moved to compose by a script. I a primarily a writer of prose fiction but as an Art College alumna – when I’m looking for inspiration, I go to an art gallery.

I went with a housemate on a field trip to London last week to see the Damien Hirst retrospective at the Tate Modern, the Picasso at the Tate Britain and the Freud at the National Portrait Gallery. All three were fruitful visits but, it was Hirst that had me stunned and flushed with ideas.

I’d seen Hirst’s ‘Shark’ before and was struck then by the concept that the creature did not know he was dead. The retrospective examines death in more detail. Death, an inevitable aspect of life, is not morbid in Hirst’s world, however. Rather it is presented as a beautiful  climax (Diamond Skull). Dead butterflies are arranged in stunning giant mosaics reminiscent of great stained glass windows. Even a grand wall-size black circular ‘sun’, composed of a million dead flies has all the elegance and plush luxury of a carpet fit for the feet of kings. Life/death – this complementary nature of opposites runs throughout the artist’s work. The mundane, even ugly are elevated to beautiful objets d’art. A classically sculpted marble angel reveals insides weird and devilish. A dead, fly infested cow’s head celebrates life cycles. Hirst’s work tells us that opposites need each other to exist. Opposites are each other. Rock it, Damien.


Ha Ha the runner up

 

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This week the bridesmaid rather than the bride – but that’s cool. ‘Ha Ha’ makes it to runner up position for the Limnisa/Bluethumbnail 2012 competition:

 

http://www.bluethumbnail.com/Author/winning-stories-2012.html


Aha! ‘Ha Ha’ stands out from the crowd

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Result! My story ‘Haha’ is on the shortlist mof twenty for the 2012 Limnisa / Bluethumbnail competition… will hear result next week….


I’ve been haiku’d!

A haiku for a weeping willow in Norwich?

 

If you need focus, get haiku’d. The Japanese know how to appreciate the moment: tea ceremonies where the design and the feel of the cup is lauded, the colour of the drink discussed, the scent, the very feel of the beverage dissected and praised.

Not surprising, therefore, the land of the rising sun gave us the haiku. Haiku is a poetic form that, traditionally, aims to capture a moment in nature, like a snapshot with words.

Most typically achieved using seventeen syllables arranged in three unrhymed lines of five, seven and five syllables, the practice of writing haikus is particularly useful if you are engaged in a word-limited literary arena such as writing songs. In such instances, words should be chosen carefully so that they can convey the specific mood, meaning and impact you require and haikus can help you build up that muscle. Haikus encourage you to pick up every word and study it closely for its sound, meaning, feel and impact.

Here are some examples of the haiku:

O’er the wintry wood,

winds howl in an empty rage

with no leaves to blow.

Soseki (1275-1351)

This haiku by the ‘punk poet, John Cooper Clarke, comes via recommendation of Westown Girl :

Writing a poem

In seventeen syllables

Is very diffic.

(John Cooper Clarke, 1979)

Cool, innit?

Happy Haikuing