February 5, 2017
Today, the last of my belongings were moved from my first ever property, a flat in Budapest. It was my first home, and in many ways, my first ever major art project. It breaks my heart see the keys handed to the new owner. However, I hadn’t even been inside the flat since 2009, and it was a headache to manage it from where I live now in the UK. So, when a very reasonable offer came my way, hesitant though I was, I knew I would have been dumb to say no. When it’s time, it’s time. So, today I say goodbye to Baross utca!
Saying goodbye is equally important when you are writing. It’s crucial to know when you’re done writing your particular text, be it a play, short story or novel… there’s only so much mo tweaking you can do, you’ve sometimes just got to say “it’s done” and send it out there. Here are some tips to help you decide if you’re done:
1) Have you read through your piece a number of times, each revision focusing on different aspects (character, theme, structure, tone, language, punctuation, grammar etc…)?
2) Have you shown your piece to at least one person and received informed and HONEST feedback, and have you then addressed any issues that have been highlighted?
3) Are you now re-reading your work, doing nothing but shifting around commas (and back again)?
If the answer to the above is ‘Yes’, then you’re done and the only reason you’re hesitating sending it off to the agent/theatre/broadcaster/publisher/magazine/competition, is that you’re scared of rejection.
Get over that. If you’re going to be a published writer, you’re going to have to suck up a lot of rejection. Be brave. Take the leap. And good luck!
From Ireland, Sue Healy is Literary Manager at the Finborough Theatre, London, a full-time Lecturer in Creative Writing at the University of Lincoln. Her book on theatre literary management is published by Routledge, December 2022.
Sue is an award-winning writer for stage, TV, and prose writer.
Her current project, a 6x60minute TV series, is under option. She is under commission with Lone Wolf Media, producers behind PBS’ “Mercy Street”, to co-write the pilot and treatment for a six-part TV series.
Her most recent stage-play, Imaginationship (2018), enjoyed a sold out, extended run at the Finborough and later showed at the Stephen Joseph Theatre in Scarborough. Her previous stage productions include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Sue’s short plays have been performed at the Criterion (Criterion New Writing Showcase), Arcola (The Miniaturists) and Hackney Attic (Fizzy Sherbet Shorts).
Her radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm.
Sue has won The Molly Keane Award, HISSAC Prize, Escalator Award, Meridian Prize and has been published in nine literary journals and anthologies including: The Moth, Flight, Tainted Innocence, New Writer, Duality, HISSAC, New European Writers. She has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from annual artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy.
An academic with a PhD in modern theatre history, specifically the Royal Court Theatre, Sue has presented her research internationally. She spent eleven years in Budapest, editing Hungary A.M. She has a PhD in modern theatre history (Royal Court Theatre) and is a UEA Creative Writing MA alumnus.
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October 10th, 2017 at 12:16
Beautiful photo! And useful tips. Thanks for sharing