The Terrible Beauty

jimjohnny

2016 marks the centenary of the Easter Rising, the week-long Irish insurrection against British occupation that was ultimately unsuccessful. Although it failed, the Rising is now generally viewed as lost but crucial battle on the road to Irish independence in 1922. The Easter Rising commemorations in  this important anniversary year are ubiquitous and loud in Ireland, and there’s always a smiling politician at hand, often a vising diplomat, much money being poured into events – whilst the country faces serious contemporary  challenges. There are some who might say that the ‘business’ of commemoration now sits in opposition to the ideals upon which the state was founded when independence was proclaimed from the GPO back in 1916.

Considering this contradiction in his new play ‘Johnny I Hardly Knew Ye’, is one of Ireland’s leading playwrights and theatre directors, Jim Nolan. If you happen to be around the Waterford area in March, go see this urgent comment on the business of the Rising.

About suehealy

From Ireland, Sue Healy is Literary Manager at the Finborough Theatre, London, a Lecturer in Creative Writing and Publishing at the University of Lincoln, a Creative Writing tutor at City Lit and the Irish Editor at TheTheatreTimes.com. She is an award-winning writer and playwright, her most recent play, Imaginationship (2018), enjoyed a sold out, extended run at the Finborough and later showed at the Stephen Joseph Theatre in Scarborough. Her previous stage productions include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Her short plays have been performed at the Criterion (Criterion New Writing Showcase), Arcola (The Miniaturists) and Hackney Attic (Fizzy Sherbet Shorts). Her radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm. Sue’s prose has won The Molly Keane Award, HISSAC Prize, Escalator Award, Meridian Prize and has been published in nine literary journals and anthologies including: The Moth, Flight, Tainted Innocence, New Writer, Duality, HISSAC, New European Writers. She has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from annual artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy. An academic with a PhD in modern theatre history, specifically the Royal Court Theatre, Sue has presented her research internationally. She spent eleven years in Budapest, editing Hungary A.M. She has a PhD in modern theatre history (Royal Court Theatre) and is a UEA Creative Writing MA alumna. View all posts by suehealy

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