The Good, The Bad, The Ugly

Me at breakfast, Ireland, September 2012. Am I good or bad?

 

Probably the most common question a writer gets asked is ‘Where do you get your story ideas from?’ Well, from everywhere. From newspapers, from life, from events that upset, move you or fill you with passion, or anger. You can get a lot of good material from bad situations.

As a writer you have a built in advantage over non-writers in that you can put bad events in life to good use. A broken heart can (with some distance from the event) give plot and substance to a short story – as they say, no tears in the writer, no tears in the story. Ditto a betrayal or some such extreme circumstance.

These difficult personal experiences, often awful, also lend opportunity to observe human behaviour in its rawest form – a crucial study for any writer. Take note re who behaves in an altruistic manner (and does that even exist) in the circumstance? Who looks for the easy option? What type of person sticks their head in the sand and hides behind others? Who makes a stand despite risks of personal loss? The answers are often surprising. The meekest are often the bravest, the erstwhile idealistic often less so when faced with a truth that is inconvenient to their own life and circumstance. Bad situations make for rich people study material.

Alternatively, another story prompter is to use the ‘what if’ question. The ‘what if’ question prompts you to consider alternative endings to a real situation. A good example of this question is Stephen Fry’s Making History, in which he explores a world where Hitler was killed in WWI but an even more dastardly figure comes to prominence, and wins. Apply the ‘what if’ scenario to your personal difficulty and see where it takes you storywise…

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About suehealy

Multi award winning Irish writer/playwright Sue Healy’s work has been supported and developed by the Abbey Theatre, the Peggy Ramsay Foundation, the Heinrich Boll Association and the Tyrone Guthrie Centre. Her 2016 play ‘Brazen Strap’ ran at the King’s Head Theatre, funded by Arts Council England. Her work has also shown at the Hackney Attic and Etcetera Theatres in London. Sue’s nine radio dramas have broadcast on BBC Radio 4, WLRfm, KCLR96fm. A UEA Creative Writing MA alumna, she spent eleven years in Budapest, editing Hungary A.M. Presently, she is London-based, researching a PhD on the Royal Court Theatre. Sue is Literary Manager at the Finborough Theatre. View all posts by suehealy

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