The Good, The Bad, The Ugly

Me at breakfast, Ireland, September 2012. Am I good or bad?

 

Probably the most common question a writer gets asked is ‘Where do you get your story ideas from?’ Well, from everywhere. From newspapers, from life, from events that upset, move you or fill you with passion, or anger. You can get a lot of good material from bad situations.

As a writer you have a built in advantage over non-writers in that you can put bad events in life to good use. A broken heart can (with some distance from the event) give plot and substance to a short story – as they say, no tears in the writer, no tears in the story. Ditto a betrayal or some such extreme circumstance.

These difficult personal experiences, often awful, also lend opportunity to observe human behaviour in its rawest form – a crucial study for any writer. Take note re who behaves in an altruistic manner (and does that even exist) in the circumstance? Who looks for the easy option? What type of person sticks their head in the sand and hides behind others? Who makes a stand despite risks of personal loss? The answers are often surprising. The meekest are often the bravest, the erstwhile idealistic often less so when faced with a truth that is inconvenient to their own life and circumstance. Bad situations make for rich people study material.

Alternatively, another story prompter is to use the ‘what if’ question. The ‘what if’ question prompts you to consider alternative endings to a real situation. A good example of this question is Stephen Fry’s Making History, in which he explores a world where Hitler was killed in WWI but an even more dastardly figure comes to prominence, and wins. Apply the ‘what if’ scenario to your personal difficulty and see where it takes you storywise…

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About suehealy

From Ireland, Sue Healy is Literary Manager at the Finborough Theatre, London, a Lecturer in Creative Writing and Publishing at the University of Lincoln, a Creative Writing tutor at City Lit and the Irish Editor at TheTheatreTimes.com. She is an award-winning writer and playwright, her most recent play, Imaginationship (2018), enjoyed a sold out, extended run at the Finborough and was later selected for a staged-reading at the Stephen Joseph Theatre in Scarborough. Her previous stage productions include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Her short plays have been performed at the Criterion (Criterion New Writing Showcase), Arcola (The Miniaturists) and Hackney Attic (Fizzy Sherbet Shorts). Her radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm. Sue’s prose has won The Molly Keane Award, HISSAC Prize, Escalator Award, Meridian Prize and has been published in nine literary journals and anthologies including: The Moth, Flight, Tainted Innocence, New Writer, Duality, HISSAC, New European Writers. She has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from annual artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy. An academic with a PhD in modern theatre history, specifically the Royal Court Theatre, Sue has presented her research internationally. She spent eleven years in Budapest, editing Hungary A.M. She has a PhD in modern theatre history (Royal Court Theatre) and is a UEA Creative Writing MA alumna. View all posts by suehealy

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