Can You Sum Up Your Story On A Pebble?
Blurbs, those wee plot synopses on the back of books, are a great writers’ tool. Firstly, writing a blurb for your yet-to-be-written novel helps you get to the kernel of what it is all about. Secondly, penning such a blurb will prompt you to imagine your novel as a reality and motivate you to keep going and finish what you’ve started.
Also, reading the blurb of a novel that closely resembles your own will help you get to the bones of your own story, structure and theme. Look at how these other works are summed up. Do they concentrate on plot or theme or character? What is the hook? And what is yours?
Remember, a blurb is not a synopsis. Blurbs are short, the shorter the better, maybe a line or two long. Some are even just a few words. You don’t have to condense your story to “Jaws in Space” but do boil it down as much you can. If you had to sell your story on the back of a postage stamp or a pebble, what would you write?
When you’ve crafted your blurb, place it close to your writing place. It will keep you focused on what your book is about – and make sure that point is then evident in the very DNA of every moment of your book.
Finally, when it comes to approaching agents, having a well-written blurb you can include in a cover letter will prove very useful. Your blurb is your elevator pitch. Spend time on it and perfect it.
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About suehealy
Award-winning Irish writer/playwright Sue Healy’s work has been supported and developed by Dublin’s Abbey Theatre, the Peggy Ramsay Foundation and Arts Council England.
Her full-length stage plays include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Sue’s work has also been performed at the Finborough, Arcola, Hackney Attic and Sterts theatres, and at festivals including the Claremorris Fringe (New Writing Award winner), the Brighton (Sussex Playwrights’ Award winner), the UEA Contemporary European Drama Festival, Norwich. December 2017 will see her work showcased at the Criterion theatre in London.
Radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm.
She has been a finalist for BBC Scriptroom 12, Eamon Keane Playwriting Prize, Nick Darke Award and the Old Vic 12 New Voices.
Sue's prose has won the the Molly Keane Award, HISSAC Prize, Escalator Award and has been published widely. Sue has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from juried artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy.
Sue is a UEA Creative Writing MA alumna. She spent eleven years in Budapest, editing Hungary A.M. She is currently London-based, completing a Ph.D. on the Royal Court Theatre. Sue is an Associate Lecturer in Playwriting at the Universities of Lincoln and Portsmouth, and tutors Creative Writing at City Lit. She is Literary Manager at the Finborough Theatre.
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September 4th, 2011 at 20:51
I started my writing career as a copywriter for TV Gude Magazine. (I hear groans–I know most do not consider advertising or marketing real writing but it has paid the bills and leaves me time to dabble in “real” writing). One of my tasks was to write the 1-2 sentence blurbs for feature articles for Next Week in TV Guide. It was wonderful training for get-to-the-point sparseness. Love the title of this post!
September 4th, 2011 at 23:13
I think that was perfect training and you’re lucky to have had it. It is far more difficult to condense than to wax lyrical. Also, your focus would have been on plot-lines. I envy your apprenticeship there. Thanks for the comment.
September 4th, 2011 at 23:22
Sue, your site intrigues me as you discuss down-to-earth writing problems. I am glad I found you!
September 5th, 2011 at 07:01
Hi Elaine, I’m delighted to hear you think so, that as it’s what I’m aiming for. I’m very glad you stopped by and thanks for the comment!
September 5th, 2011 at 03:29
I’ve been working on doing this very thing and it is so hard!
September 5th, 2011 at 07:02
Hi Madison, isn’t it just? And I’m also working on revising my novel and I want to start out with a good blurb so I know what I’m doing…. It’s difficult to boil down, however.
September 5th, 2011 at 11:03
Good advice. I’m a great believer in less is more. Having my own small blurb as a reminder is like a mantra. As I revise & edit, it brings me back to the essence of the story.
September 5th, 2011 at 17:22
That’s a great way to put it, Carol – blurb as mantra. I like it. And yes, it does keep you focused on the essence.