Panning for Stories

Most writers I know hunt for stories for inspiration. Sometimes they’ll spend their time trawling through news stories, scrolling through social media, watching obscure documentaries. I’ve always been more fed by objects. I spend a sad amount of time in charity shops and car boot sales. Sometimes it’s for treasure I keep or sell, but also because I love researching unusual objects – and filling in the blanks. I may do a podcast or a Substack or both about the thrilling objects or stories I’ve unearthed, but for now I want to share about a new, but related, string to my bow in this scavenging domain. I’ve become a mudlark!

Mudlarks are licenced beachcombers who scour river banks for treasure. In Victorian times, they were impoverished children searching for scraps of metal to sell for a pittance. These days its more of a middle class weekend hobby. And you need a licence, and they’re difficult to obtain, I was on a waiting list for two years. But come it did, last week, and this weekend I hit the foreshore of the Thames, by Hammersmith Bridge, with my trusty trowel.

This is my haul. A WWII ammunition cartridge! It’s a German 1935 Mauser round, potentially live, as the bullet is not spent, but it’s so corroded it’s surely fine. Still, I’m a bit nervous to go at it too aggressively with the old Brasso, so have contacted the police offering to send them photos to ask for their advice. I have no idea why there’s German ammo at Hammersmith, but this is what the serial code says… (and this is where a story is suggested).

The next most interesting piece is what I thought was an old poker or part of a Victorian railings perhaps. It’s clearly been in the river a long long time though. I cleaned it and it’s a Georgian mooring pin, hand forged. Not an antiquity, or of any value really, other than it’s a great example of working river hardware, and representative of the context in which it was found. It was likely used to moor a private boat belonging to one of the Georgian houses in the parade above the bank, the closest of which was built for a mistress of the king. I wonder what pulled it from its root, what storm or getaway? Therein lies a story.

It’s going to my fireplace, a fake poker for a fake fire (good that it’s a non-working fireplace coz, for now, my unspent nazi bullet is atop the mantlepiece). Not bad for my first haul.Then an assortment of the usual, 17th century pipe stems (broken) and various medieval nails, and broken glass and pottery. So many stories.

About suehealy

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From Ireland, Sue Healy is Literary Manager at the Finborough Theatre, London, a full-time Senior Lecturer and Programme Leader in Creative Writing at the University of Lincoln. "70 Years At The Court" is her upcoming book, due to be published in 2026 by Methuen Drama, which she is co-writing with Prof. Harriet Devine. Her previous book "The Literary Manager's Toolkit" is on theatre literary management is published by Routledge (2023). Sue is an award-winning writer for stage, TV, and prose writer. TV Her current project, a 6x60minute TV series, is under option. She is under commission with Lone Wolf Media, producers behind PBS’ “Mercy Street”, to co-write the pilot and treatment for a six-part TV series. Stage Her most recent stage-play, Imaginationship (2018), enjoyed a sold out, extended run at the Finborough and later showed at the Stephen Joseph Theatre in Scarborough. Her previous stage productions include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Sue’s short plays have been performed at the Criterion (Criterion New Writing Showcase), Arcola (The Miniaturists) and Hackney Attic (Fizzy Sherbet Shorts). Radio Her radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm. Prose Sue has won The Molly Keane Award, HISSAC Prize, Escalator Award, Meridian Prize and has been published in nine literary journals and anthologies including: The Moth, Flight, Tainted Innocence, New Writer, Duality, HISSAC, New European Writers. She has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from annual artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy. An academic with a PhD in modern theatre history, specifically the Royal Court Theatre, Sue has presented her research internationally. She spent eleven years in Budapest, editing Hungary A.M. She has a PhD in modern theatre history (Royal Court Theatre) and is a UEA Creative Writing MA alumna. View all posts by suehealy

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