Writers’ Residencies

2016-09-10-08-38-01

A window at the Tyrone Guthrie Centre for Artists, Co. Monaghan, Ireland.

For most, finding time to write is one of the hardest aspects of writing. Unless independently wealthy, one normally has to juggle a day job and family responsibilities with writing time – not an easy feat. Thankfully a solution is out there, focused writing time is possible with a writers’ residency at a dedicated artists’ colony. I’ve benefitted from a few over the years and cannot stress how fruitful and inspiring my time in each has been. The most sought after are ‘residencies‘ which often offer free board and accommodation and sometimes a stipend, for blocks of creative time that can range from a week to year. Sometimes, there may be a fee involved but at a ‘residency’ it would be heavily subsidised to ensure a stay is affordable for the artist. All such prestigious residencies entail an application and selection and approval process. The more generous the offer, the more competition there will be to gain a place obviously, and they tend to cater for published writers/produced playwrights with a track record only. These residencies are very well regarded by industry and acceptance is an asset to your C.V.

Then you have ‘retreats‘. These are usually privately owned affairs run as a business, often by people passionate about the arts. Or they may, like Arvon, involve creative writing courses that are highly respected, delivered by leading industry professionals.  Normally with these retreats, the writer/artist self-funds (though there are occasionally one or two grants available if you check the website).  As a rule, they cost the same as a stay in a regular hotel or B&B in the same area, but you have the added bonus of being in an environment dedicated to creativity and your fellow guests are also keen creatives. As you’re self funding, there is not normally a application process involved (at least not anything rigorous) – usually just a straightforward booking process, so retreats are the best solution for writers who have yet to publish or have their work produced. Retreats do not have the same prestige as the aforementioned residencies however, though some may straddle both definitions due to occasional grants or fellowships they may offer.

Ireland

Residencies:
Heinrich Böll cottage
Cill Rialaig
Dublin Writer in Residence

Tyrone Guthrie Centre

Retreats:

River Mill

Anam cara

Molly Keane Writers Retreat

France

Residencies:

Chateau la Napoule

Centre Culture lrlandais

Aerogramme Studio Brown’s

Retreats:

La Muse Inn

Great Britain

Residencies:

Gladstone’s Library

Hawkwood College

Hawthornden Castle

Cove Park

Retreats

Arvon Foundation

Urban Writers’

Germany

Schwarndorf

Switzerland

Jan Michalski

Italy

Ginestrelle

USA

Residencies:

Albee Foundation (New York State)

Anderson Centre (Minnesota)

Art Croft (Kentucky)

Atlantic Centre (Florida)

Caldera Arts (Oregon)

Djerassi (California)

Dorland (California)

Exeter (New Hampshire)

Hambidge (Georgia)

Headlands (California)

Hedge brook (Washington State)

Jentle (Wyoming)

KFW (Kentucky)

Kerouac (Florida)

Kimmel (Nebraska)

Norman Mailer Centre (NY, Wyoming, California)

Montalvo Arts (California)

Macdowell (New Hampshire)

Millay (New York State)

OMI (New York)

Kulcher (Minnesota)

Lynchburg (Virginia)

Radcliffe (Massachusetts)

Red Cinder (Hawaii)

Rocky Mountain (Colorado)

Poetry Centre (Arizona)

Provincetown (Massachusetts)

Spring creek (Oregon)

Saltonstall (New York State)

Stanford (Connecticut)

Studio in the Woods (New Orleans)

Virginia Centre (Virginia)

Ucross (Wyoming)

Vermont Studio (Vermont)

Wild Acres (North Carolina)

Woodstock (New York)

Wurlitzer (New Mexico)

Yaddo (New York state)

 

Retreats (some also offer a limited grants/fellowships)

Nantucket (Massachusetts)

Ragdale (Illinois)

Dairy Hollow (Arkansas)

 

Canada

Banff

Saskatchewan

Australia

Varuna

This is by no means an exhaustive list. If you know of more, please let me know. If possible specify if it’s a residency (free or subsidised) or a retreat (self funded).

Advertisements

About suehealy

Literary Manager at the Finborough, Sue Healy is a playwright with a track record in stage and radio. Her most recent play, Imaginationship (2018), enjoyed a sold out, extended run at the Finborough and was later selected for a staged-reading at the Stephen Joseph Theatre in Scarborough. Her previous stage productions include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Her short plays have been performed at the Criterion (Criterion New Writing Showcase), Arcola (The Miniaturists) and Hackney Attic (Fizzy Sherbet Shorts by Women). Her radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm. She has been an interviewed finalist for BBC Scriptroom 12, Eamonn Keane Playwriting Prize, Nick Darke Award and Old Vic 12 New Voices. Her screenplay was shortlisted for the Shorelight Award. Sue’s prose has won The Molly Keane Award, HISSAC Prize, Escalator Award, Meridian Prize and has been published in nine literary journals and anthologies including: The Moth, Flight, Tainted Innocence, New Writer, Duality, HISSAC, New European Writers. She has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from annual artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy. Sue is Irish. She spent eleven years in Budapest, editing Hungary A.M. She has a PhD in modern theatre history (Royal Court Theatre) and is a UEA Creative Writing MA alumna. Sue is currently an Associate Lecturer in Playwriting at the University of Lincoln and the University of Portsmouth. She tutors Creative Writing at City Lit. View all posts by suehealy

2 responses to “Writers’ Residencies

  • Bernard canavan

    Thank you Sue and what helpful advice you have put together. And even if I never get to benefit from any of these fascinating places, that picture of a wonderful casement windows, the same as I used to look out of as a boy in co Longford, is itself a pleasure to behold.

  • Libby Sommer

    thank you for the useful info. hard to know where to start. 🙂

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: