imageJames Joyce described ‘yes’ as the female word. The famous Irish writer bookended Molly Bloom’s soliloquy with it and ended his most famous publication, Ulysses, with this phrase: “and yes I said yes I will yes”. I’m urging those in Ireland who can, to vote ‘yes’ for female rights.

I’ve been out of Ireland for over twenty years and am no longer eligible to vote in referenda or general elections there. Tomorrow sees Ireland go to the polls to vote on whether or not women should have access to legal abortion in Ireland. As it stands, those who decide to terminate an unwanted pregnancy have to make a very lonely and scary and potentially dangerous journey abroad. Ireland needs to stop exporting its problems and to grow up and provide women with the rights enjoyed by pretty much every other western nation.

Here in the UK, where I live, whenever discussing this situation, my English friends will usually draw on the refrain, “yes, but I suppose you’re such a Catholic nation”. I find this understanding of Ireland wearisome, glib and uninformed (and to be fair to the English, some Irish liberals draw on similar reasonings). We are a nation which, I’m proud to say, delivered a resounding ‘Yes’ (62%) in a popular vote to legalise gay marriage in 2015. This is not the result a staunchly Catholic nation would provide. It is however, a result you might find unsurprising in a particularly patriarchal culture. Ireland is far more patriarchal than it is Catholic (the Catholic Church pretty much lost its influence in Ireland in the 1980s/1990s). Whilst in its heyday, Catholicism certainly bolstered the native patriarchal culture, it is important to not to conflate the two. It is patriarchy that remains prevalent and far reaching in Ireland. One needs to know what one is fighting.

The polls tell us this is too tight to call, if ‘yes’ succeeds, it’ll be by a hair’s breadth. I’m dreading a ‘Trump’ or ‘Brexit’ result here. If you care about the rights of women and can vote in this referendum, please do.


About suehealy

From Ireland, Sue Healy is Literary Manager at the Finborough Theatre, London, a full-time Lecturer in Creative Writing at the University of Lincoln. Her book on theatre literary management is published by Routledge, December 2022. Sue is an award-winning writer for stage, TV, and prose writer. TV Her current project, a 6x60minute TV series, is under option. She is under commission with Lone Wolf Media, producers behind PBS’ “Mercy Street”, to co-write the pilot and treatment for a six-part TV series. Stage Her most recent stage-play, Imaginationship (2018), enjoyed a sold out, extended run at the Finborough and later showed at the Stephen Joseph Theatre in Scarborough. Her previous stage productions include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Sue’s short plays have been performed at the Criterion (Criterion New Writing Showcase), Arcola (The Miniaturists) and Hackney Attic (Fizzy Sherbet Shorts). Radio Her radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm. Prose Sue has won The Molly Keane Award, HISSAC Prize, Escalator Award, Meridian Prize and has been published in nine literary journals and anthologies including: The Moth, Flight, Tainted Innocence, New Writer, Duality, HISSAC, New European Writers. She has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from annual artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy. An academic with a PhD in modern theatre history, specifically the Royal Court Theatre, Sue has presented her research internationally. She spent eleven years in Budapest, editing Hungary A.M. She has a PhD in modern theatre history (Royal Court Theatre) and is a UEA Creative Writing MA alumnus. View all posts by suehealy

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