Beginning, Muddle, End

The 'Anonymous' statue in City Park, Budapest. Commemorating the unknown scribe who recorded the story of the Magyars. Rubbing his pen brings inspiration.

The ‘Anonymous’ statue in City Park, Budapest. Commemorating the unknown scribe who recorded the story of the Magyars. Rubbing his pen brings inspiration.

A good exercise in plotting is to take a book, a play or a film you’ve really enjoyed and try to break it down into a series of plot-steps. Now, change the setting, the gender of the protagonist, the era, the goal and the type of obstacles that stand in the way. Yet, stay true to the plot template. When you’ve finished you’ll find you have a completely new story. Don’t feel as though you’ve stolen another’s plot. In truth, there are no new plots, each is a retelling of an older version. You’ve simply adapted and updated a classic plot line and in the process have created a unique story.To have a story, you have to have some sort of muddle or conflict, which fall into one or more of the following categories:

man vs. nature

man vs. man

man vs. the environment

man vs. machines/technology

man vs. the supernatural

man vs. self

man vs. god/religion

Steps to structure your story could follow the classic Hollywood example below:

Stasis – the status quo. The reader is introduced to the character and setting.

Disturbance. Something occurs which upsets the normal run of things. For example, a stranger arrives in town.

The main character is affected by the disturbance.

The main character decides on a plan of action to rectify or improve matters.

Obstacles stand in the way of the plan of action succeeding.

Complications occur in the guise of choices/new characters/new ideas/discovery.

These lead to a crisis, when the focus of a play comes together in an unavoidable way.

The crisis usually leads to a climax or the major confrontation.

Finally comes the denouement or resolution which results in a new stasis.

The above will often feature a character development arc whereby the protagonist is changed in a fundamental way by the events.

So, a ‘Beginning, a Muddle and an End’.

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About suehealy

Literary Manager at the Finborough Theatre and associate lecturer in playwriting at the universities of Lincoln and Portsmouth, Irish playwright Sue Healy’s Imaginationship has just finished a sell-out, extended run at the Finborough Theatre. Cow (2017) was staged at the Etcetera Theatre and Brazen (2016) ran at the King’s Head, funded by Arts Council England. Her work has been performed at the Criterion, Hackney Attic, Claremorris Festival (New Writing Award winner), Brighton Festival (the Sussex Playwrights’ Award Winner) and Sterts Theatre and has been developed by the Abbey Theatre, Dublin. Her nine radio-plays have broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm. She has won prizes for her prose including the Molly Keane and HISSAC Awards and the Escalator Prize. A UEA Creative Writing MA alumna, Sue spent eleven years in Budapest editing Hungary A.M. She is completing a Ph.D. in Theatre history. Sue also tutors Creative Writing at CityLit. View all posts by suehealy

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