The ‘Anonymous’ statue in City Park, Budapest. Commemorating the unknown scribe who recorded the story of the Magyars. Rubbing his pen brings inspiration.
A good exercise in plotting is to take a book, a play or a film you’ve really enjoyed and try to break it down into a series of plot-steps. Now, change the setting, the gender of the protagonist, the era, the goal and the type of obstacles that stand in the way. Yet, stay true to the plot template. When you’ve finished you’ll find you have a completely new story. Don’t feel as though you’ve stolen another’s plot. In truth, there are no new plots, each is a retelling of an older version. You’ve simply adapted and updated a classic plot line and in the process have created a unique story.To have a story, you have to have some sort of muddle or conflict, which fall into one or more of the following categories:
man vs. nature
man vs. man
man vs. the environment
man vs. machines/technology
man vs. the supernatural
man vs. self
man vs. god/religion
Steps to structure your story could follow the classic Hollywood example below:
Stasis – the status quo. The reader is introduced to the character and setting.
Disturbance. Something occurs which upsets the normal run of things. For example, a stranger arrives in town.
The main character is affected by the disturbance.
The main character decides on a plan of action to rectify or improve matters.
Obstacles stand in the way of the plan of action succeeding.
Complications occur in the guise of choices/new characters/new ideas/discovery.
These lead to a crisis, when the focus of a play comes together in an unavoidable way.
The crisis usually leads to a climax or the major confrontation.
Finally comes the denouement or resolution which results in a new stasis.
The above will often feature a character development arc whereby the protagonist is changed in a fundamental way by the events.
So, a ‘Beginning, a Muddle and an End’.
From Ireland, Sue Healy is Literary Manager at the Finborough Theatre, London, a full-time Lecturer in Creative Writing at the University of Lincoln. Her book on theatre literary management is published by Routledge, December 2022.
Sue is an award-winning writer for stage, TV, and prose writer.
Her current project, a 6x60minute TV series, is under option. She is under commission with Lone Wolf Media, producers behind PBS’ “Mercy Street”, to co-write the pilot and treatment for a six-part TV series.
Her most recent stage-play, Imaginationship (2018), enjoyed a sold out, extended run at the Finborough and later showed at the Stephen Joseph Theatre in Scarborough. Her previous stage productions include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Sue’s short plays have been performed at the Criterion (Criterion New Writing Showcase), Arcola (The Miniaturists) and Hackney Attic (Fizzy Sherbet Shorts).
Her radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm.
Sue has won The Molly Keane Award, HISSAC Prize, Escalator Award, Meridian Prize and has been published in nine literary journals and anthologies including: The Moth, Flight, Tainted Innocence, New Writer, Duality, HISSAC, New European Writers. She has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from annual artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy.
An academic with a PhD in modern theatre history, specifically the Royal Court Theatre, Sue has presented her research internationally. She spent eleven years in Budapest, editing Hungary A.M. She has a PhD in modern theatre history (Royal Court Theatre) and is a UEA Creative Writing MA alumnus.
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November 23rd, 2014 at 14:50
beautiful and powerful!
November 23rd, 2014 at 16:48
Thanks for this, Sue. You have distilled a lifetime of reading books, articles, author interviews and blogs about the writing process into a simple, focused, actionable post. They say you don’t really understand something unless you can explain it to a five year old. Wish I’d read this when I was five.
November 23rd, 2014 at 21:44
Great piece. So succinct!
November 23rd, 2014 at 22:45
Straightforward and very helpful. I’m very good at the muddle already, just got the other bits sorted.
November 28th, 2014 at 03:41
December 18th, 2014 at 21:43
Powerful thoughts found your blog looking around decided to follow
May 6th, 2017 at 23:29
great post. so true.
May 7th, 2017 at 12:12
Perfect timing, as always. Thanks so much, Sue.