In Boll’s Retreat on Achill Island

IMAG0624

An inspiring Irish speciality, a seaweed bath

Two weeks at the Heinrich Boll cottage in Achill, two whole weeks of wonderful industry and contemplation on Ireland’s wild Atlantic shores, in one of Mayo’s most scenic corners in the home of one of the 20th century’s most famous authors. That is how lucky I am. And yes, it was very fruitful. Nothing compares to time spent on a writers’ residency.

DSC02615

Achill Island

I’ve had residencies at four institutions. They’ve all been great and interesting and why wouldn’t they be, providing time and distance from routine to concentrate on your art alone or in the company of other creatives. Each institution has provided something unique, whether it be conversation with the other artists, inspiration from the environment, tuition or the calm and stillness that lends itself so well to the creative process. For all these reasons, I’d also recommend the following: Tyrone Guthrie Centre (Ireland), Aras Eanna (Ireland), The Hurst (UK) and last year Ginestrelle, (Italy). I’ve also rented friends’ holiday homes in low season, which is a way artists can enjoy a focused way to write, without breaking the bank.

DSC02674

Castle of Graunuaile (the pirate Queen of Connaught), on Achill Island.

I’m going to reblog below, a list of residencies/retreats I drew up some years ago. I haven’t had time recently to check, expand or prune this list, but please feel free to add your own comments/suggestions. And apologies if some of the links are out of date.

Do note that America is where the writers’ colony was born, hence its dominance of the list. The U.S. still provides the best, the most prestigious and the most difficult colonies to get into. Yes, “get into”. Therein lies the difference between a “residency” and a “retreat”  (which I explain below):

Residencies are institutions to which you must apply and demonstrate your professionalism as an artist via a portfolio, and perhaps references and a CV that shows you are considered by your peers to be a practicing artist. Residencies are often funded by an arts and/or educational body and can mean you must also provide a service such as creative writing classes in the locality. Residencies can last from two weeks to a year.  In Ireland, prestigious residencies include The Tyrone Guthrie Centre, Cill Rialaig and the Heinrich Boll Cottage. Even if accepted, you may have to pay for your stay. However, attending one of these establishments is an impressive addition to your C.V. Moreover, you may meet artists of international renown.

DSC02573

Then you get Retreats. These are institutions that sometimes offer courses – the UK’s ‘Arvon Foundation’ is a good example which has three properties around England and holds intensive writing courses throughout the year. Other retreats might just offer room and board to writers for a fee, somewhat like a hotel but with an emphasis on creativity and productivity during your stay. Anam Cara and the Molly Keane house are Irish examples. They’re not as prestigious residencies, although such places tend not to attract those at the peak of their career, you might still meet some interesting creative, supportive people and the surrounds are usually very picturesque and perhaps inspiring. Retreats are good for novice or emerging writers who are not yet at the stage in their career where they might gain acceptance on a “residency”, or if you simply want to try the set up out for a week or so, but can’t commit to a residency.

Finally, if all you want is some peace and quiet, why not rent some respite, a holiday cottage in the wilds of Connemara in autumn, or stay in a B&B on Dartmoor or a shack in the Catskills – you may be able to get a ‘low season deal’ and it may provide the inspiration you seek.

 

A sample (and by no means exhaustive) list:

Ireland

Residencies:
Heinrich Böll cottage
Cill Rialaig
Dublin Writer in Residence

Tyrone Guthrie Centre

Retreats:

anam cara

Molly Keane Writers Retreat

France

Residencies:

Chateau la Napoule

Centre Culture lrlandais

Aerogramme Studio Brown’s

Retreats:

La Muse Inn

UK

Residencies:

Gladstone’s Library

Hawkwood College

Hawthornden Castle

Cove Park

Retreats

Arvon Foundation

Urban Writers’

Germany

Schwarndorf

Italy

Ginestrelle

USA

Residencies:

Anderson Centre (Minnesota)

Art Croft (Kentucky)

Atlantic Centre (Florida)

Caldera Arts (Oregon)

Saltonstall (New York State)

Djerassi (California)

Dorland (California)

Exeter (New Hampshire)

Albee Foundation (New York State)

Cambridge (Georgia)

Headlands (California)

Hedge brook (Washington State)

Jentle (Wyoming)

Kerouac (Florida)

Kimmel (Nebraska)

OMI (New York)

Macdowell (New Hampshire)

Millay (New York State)

Spring creek (Oregon)

KFW (Kentucky)

Kulcher (Minnesota)

Lynchburg (Virginia)

Norman Mailer Centre (NY, Wyoming, California)

Montalvo Arts (California)

Radcliffe (Massachusetts)

Red Cinder (Hawaii)

Rocky Mountain (Colorado)

Stanford (Connecticut)

Studio in the Woods (New Orleans)

Poetry Centre (Arizona)

Virginia Centre (Virginia)

Ucross (Wyoming)

Vermont Studio (Vermont)

Wild Acres (North Carolina)

Woodstock (New York)

Wurlitzer (New Mexico)

Yaddo (New York state)

Retreats (also offer a limited number of fellowships)

Nantucket (Massachusetts)

Ragdale (Illinois)

Dairy Hollow (Arkansas)

Canada

Banff

Saskatchewan

Australia

Varuna

If you know of more, please let me know. If possible specify if it’s a residency (free or subsidised) or a retreat (self funded).

Advertisements

About suehealy

Award-winning Irish writer/playwright Sue Healy’s work has been supported and developed by Dublin’s Abbey Theatre, the Peggy Ramsay Foundation and Arts Council England. Her full-length stage plays include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Sue’s work has also been performed at the Hackney Attic and Sterts theatres and festivals including the Claremorris Fringe (New Writing Award winner), the Brighton (Sussex Playwrights’ Award winner) and the UEA Contemporary European Drama Festival, Norwich. Autumn 2017 will see her work showcased at the Finborough, Arcola and Criterion theatres in London. Radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm. She has been a finalist for BBC Scriptroom 12, Eamon Keane Playwriting Prize, Nick Darke Award and the Old Vic 12 New Voices. Sue's prose has won the the Molly Keane Award, HISSAC Prize, Escalator Award and has been published widely. Sue has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from juried artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy. Sue is a UEA Creative Writing MA alumna. She spent eleven years in Budapest, editing Hungary A.M. She is currently London-based, completing a Ph.D. on the Royal Court Theatre. Sue is an Associate Lecturer in Playwriting at the Universities of Lincoln and Portsmouth, and tutors Creative Writing at City Lit. She is Literary Manager at the Finborough Theatre. View all posts by suehealy

2 responses to “In Boll’s Retreat on Achill Island

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: