In Boll’s Retreat on Achill Island

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An inspiring Irish speciality, a seaweed bath

Two weeks at the Heinrich Boll cottage in Achill, two whole weeks of wonderful industry and contemplation on Ireland’s wild Atlantic shores, in one of Mayo’s most scenic corners in the home of one of the 20th century’s most famous authors. That is how lucky I am. And yes, it was very fruitful. Nothing compares to time spent on a writers’ residency.

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Achill Island

I’ve had residencies at four institutions. They’ve all been great and interesting and why wouldn’t they be, providing time and distance from routine to concentrate on your art alone or in the company of other creatives. Each institution has provided something unique, whether it be conversation with the other artists, inspiration from the environment, tuition or the calm and stillness that lends itself so well to the creative process. For all these reasons, I’d also recommend the following: Tyrone Guthrie Centre (Ireland), Aras Eanna (Ireland), The Hurst (UK) and last year Ginestrelle, (Italy). I’ve also rented friends’ holiday homes in low season, which is a way artists can enjoy a focused way to write, without breaking the bank.

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Castle of Graunuaile (the pirate Queen of Connaught), on Achill Island.

I’m going to reblog below, a list of residencies/retreats I drew up some years ago. I haven’t had time recently to check, expand or prune this list, but please feel free to add your own comments/suggestions. And apologies if some of the links are out of date.

Do note that America is where the writers’ colony was born, hence its dominance of the list. The U.S. still provides the best, the most prestigious and the most difficult colonies to get into. Yes, “get into”. Therein lies the difference between a “residency” and a “retreat”  (which I explain below):

Residencies are institutions to which you must apply and demonstrate your professionalism as an artist via a portfolio, and perhaps references and a CV that shows you are considered by your peers to be a practicing artist. Residencies are often funded by an arts and/or educational body and can mean you must also provide a service such as creative writing classes in the locality. Residencies can last from two weeks to a year.  In Ireland, prestigious residencies include The Tyrone Guthrie Centre, Cill Rialaig and the Heinrich Boll Cottage. Even if accepted, you may have to pay for your stay. However, attending one of these establishments is an impressive addition to your C.V. Moreover, you may meet artists of international renown.

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Then you get Retreats. These are institutions that sometimes offer courses – the UK’s ‘Arvon Foundation’ is a good example which has three properties around England and holds intensive writing courses throughout the year. Other retreats might just offer room and board to writers for a fee, somewhat like a hotel but with an emphasis on creativity and productivity during your stay. Anam Cara and the Molly Keane house are Irish examples. They’re not as prestigious residencies, although such places tend not to attract those at the peak of their career, you might still meet some interesting creative, supportive people and the surrounds are usually very picturesque and perhaps inspiring. Retreats are good for novice or emerging writers who are not yet at the stage in their career where they might gain acceptance on a “residency”, or if you simply want to try the set up out for a week or so, but can’t commit to a residency.

Finally, if all you want is some peace and quiet, why not rent some respite, a holiday cottage in the wilds of Connemara in autumn, or stay in a B&B on Dartmoor or a shack in the Catskills – you may be able to get a ‘low season deal’ and it may provide the inspiration you seek.

 

A sample (and by no means exhaustive) list:

Ireland

Residencies:
Heinrich Böll cottage
Cill Rialaig
Dublin Writer in Residence

Tyrone Guthrie Centre

Retreats:

anam cara

Molly Keane Writers Retreat

France

Residencies:

Chateau la Napoule

Centre Culture lrlandais

Aerogramme Studio Brown’s

Retreats:

La Muse Inn

UK

Residencies:

Gladstone’s Library

Hawkwood College

Hawthornden Castle

Cove Park

Retreats

Arvon Foundation

Urban Writers’

Germany

Schwarndorf

Italy

Ginestrelle

USA

Residencies:

Anderson Centre (Minnesota)

Art Croft (Kentucky)

Atlantic Centre (Florida)

Caldera Arts (Oregon)

Saltonstall (New York State)

Djerassi (California)

Dorland (California)

Exeter (New Hampshire)

Albee Foundation (New York State)

Cambridge (Georgia)

Headlands (California)

Hedge brook (Washington State)

Jentle (Wyoming)

Kerouac (Florida)

Kimmel (Nebraska)

OMI (New York)

Macdowell (New Hampshire)

Millay (New York State)

Spring creek (Oregon)

KFW (Kentucky)

Kulcher (Minnesota)

Lynchburg (Virginia)

Norman Mailer Centre (NY, Wyoming, California)

Montalvo Arts (California)

Radcliffe (Massachusetts)

Red Cinder (Hawaii)

Rocky Mountain (Colorado)

Stanford (Connecticut)

Studio in the Woods (New Orleans)

Poetry Centre (Arizona)

Virginia Centre (Virginia)

Ucross (Wyoming)

Vermont Studio (Vermont)

Wild Acres (North Carolina)

Woodstock (New York)

Wurlitzer (New Mexico)

Yaddo (New York state)

Retreats (also offer a limited number of fellowships)

Nantucket (Massachusetts)

Ragdale (Illinois)

Dairy Hollow (Arkansas)

Canada

Banff

Saskatchewan

Australia

Varuna

If you know of more, please let me know. If possible specify if it’s a residency (free or subsidised) or a retreat (self funded).

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About suehealy

From Ireland, Sue Healy is Literary Manager at the Finborough Theatre, London, a full-time Lecturer in Creative Writing at the University of Lincoln. Her book on theatre literary management is published by Routledge, December 2022. Sue is an award-winning writer for stage, TV, and prose writer. TV Her current project, a 6x60minute TV series, is under option. She is under commission with Lone Wolf Media, producers behind PBS’ “Mercy Street”, to co-write the pilot and treatment for a six-part TV series. Stage Her most recent stage-play, Imaginationship (2018), enjoyed a sold out, extended run at the Finborough and later showed at the Stephen Joseph Theatre in Scarborough. Her previous stage productions include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Sue’s short plays have been performed at the Criterion (Criterion New Writing Showcase), Arcola (The Miniaturists) and Hackney Attic (Fizzy Sherbet Shorts). Radio Her radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm. Prose Sue has won The Molly Keane Award, HISSAC Prize, Escalator Award, Meridian Prize and has been published in nine literary journals and anthologies including: The Moth, Flight, Tainted Innocence, New Writer, Duality, HISSAC, New European Writers. She has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from annual artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy. An academic with a PhD in modern theatre history, specifically the Royal Court Theatre, Sue has presented her research internationally. She spent eleven years in Budapest, editing Hungary A.M. She has a PhD in modern theatre history (Royal Court Theatre) and is a UEA Creative Writing MA alumnus. View all posts by suehealy

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