Stranger than Fiction…

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Writers are sometimes the least imaginative people around – we consistently use true stories we’ve been told, overheard or are part of our own histories, as springboards for our fiction. But hey, no one can come up with ideas better than real life.

If you base a story on an event in your own life you can lend your work real emotion to your work, emotion difficult to conjure otherwise. Tears in a writer will bring tears to a reader.

However, real life is often so bizarre that you’ll often have to tone down the story to make it more believable (avoid real life co-incidence stories). Also, a straight account is reportage, not fiction. You need to add colour and description, internal thought and other aspects to make it more real…

You may also have to leave out years of backstory if it does not serve to drive your own story on in any way. You may have been brought up by the funniest, most eccentric, most loving or most dysfunctional family in the world, but if they have no role in the story at hand, don’t mention them.

And remember if you stick too close to the truth, you may be setting yourself up for some legal headaches, especially if you are presenting another person in an unflattering light. It’s best to change names, nationalities and/or genders, and settings. Once you make those factual changes, most people will fail to recognize themselves in fiction, simply because we don’t see ourselves as we are seen by others…

 

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About suehealy

Irish writer/playwright Sue Healy’s work has been supported and developed by the Abbey Theatre, the Peggy Ramsay Foundation, the Heinrich Boll Association and the Tyrone Guthrie Centre. Her play ‘Brazen Strap’ showed at the King’s Head Theatre in May 2016, funded by Arts Council England. Her work has also shown at the Hackney Attic and the Etcetera Theatre in London, with readings in Norwich, Brighton and Cornwall. Sue’s nine radio dramas have broadcast on BBC Radio 4, WLRfm, KCLR96fm. Awards: 2017 – the Claremorris Fringe Award 2015 – BBC Opening Lines Award 2013 – Escalator Award 2012 – Sussex Playwrights’ Award, the HiSSAC Award. 2011 – The Molly Keane Memorial Award. (2016 - a finalist for the Eamon Keane Playwriting Prize, the Nick Darke Award and the Old Vic 12) A UEA Creative Writing MA alumna, she spent eleven years in Budapest, editing Hungary A.M. Presently, she is London-based, researching a PhD on the Royal Court Theatre. Sue is Deputy Literary Manager at the Finborough. View all posts by suehealy

One response to “Stranger than Fiction…

  • ldlagarino

    Sue, There’s a difference between truth and realism. While truth is the domain of journalists, realism is the essence of fiction. I have to confess, my life has been relatively boring, so when I create fictional characters, very often composites of people I’ve known or encountered on my journey through life, I’m more likely to ramp it up than tone it down.

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