Stranger than Fiction…

liverpool1 liverpool2

Writers are sometimes the least imaginative people around – we consistently use true stories we’ve been told, overheard or are part of our own histories, as springboards for our fiction. But hey, no one can come up with ideas better than real life.

If you base a story on an event in your own life you can lend your work real emotion to your work, emotion difficult to conjure otherwise. Tears in a writer will bring tears to a reader.

However, real life is often so bizarre that you’ll often have to tone down the story to make it more believable (avoid real life co-incidence stories). Also, a straight account is reportage, not fiction. You need to add colour and description, internal thought and other aspects to make it more real…

You may also have to leave out years of backstory if it does not serve to drive your own story on in any way. You may have been brought up by the funniest, most eccentric, most loving or most dysfunctional family in the world, but if they have no role in the story at hand, don’t mention them.

And remember if you stick too close to the truth, you may be setting yourself up for some legal headaches, especially if you are presenting another person in an unflattering light. It’s best to change names, nationalities and/or genders, and settings. Once you make those factual changes, most people will fail to recognize themselves in fiction, simply because we don’t see ourselves as we are seen by others…

 

Advertisements

About suehealy

Irish writer/playwright Sue Healy's work has been supported and developed by Arts Council England, Dublin's Abbey Theatre, the Peggy Ramsay Foundation and Waterford Corporation/Tyrone Guthrie Centre. Her debut stage production, 'Brazen Strap' showed at the King’s Head Theatre. Sue was also a finalist for the 2016 Eamon Keane Playwriting Prize, the 2016 Nick Darke Award and the 2016 Old Vic 12. In previous years, Sue's nine radio dramas have broadcast on BBC Radio 4, WLRfm, KCLR96fm; she has also won the Sussex Playwrights’ Award, presented in the Festival of Contemporary European Drama and has had staged readings of her work in London, Norwich, Brighton and Cornwall. A UEA Creative Writing MA alumna, Sue’s prose won seven national prizes including the Molly Keane Memorial Award, BBC Opening Lines, Escalator Prize and HiSSAC Award. She spent eleven years in Budapest, editing Hungary A.M. Presently, she is London-based, researching a PhD on the Royal Court Theatre. Sue is Deputy Literary Manager at the Finborough Theatre. View all posts by suehealy

One response to “Stranger than Fiction…

  • ldlagarino

    Sue, There’s a difference between truth and realism. While truth is the domain of journalists, realism is the essence of fiction. I have to confess, my life has been relatively boring, so when I create fictional characters, very often composites of people I’ve known or encountered on my journey through life, I’m more likely to ramp it up than tone it down.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: