Stranger than Fiction…

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Writers are sometimes the least imaginative people around – we consistently use true stories we’ve been told, overheard or are part of our own histories, as springboards for our fiction. But hey, no one can come up with ideas better than real life.

If you base a story on an event in your own life you can lend your work real emotion to your work, emotion difficult to conjure otherwise. Tears in a writer will bring tears to a reader.

However, real life is often so bizarre that you’ll often have to tone down the story to make it more believable (avoid real life co-incidence stories). Also, a straight account is reportage, not fiction. You need to add colour and description, internal thought and other aspects to make it more real…

You may also have to leave out years of backstory if it does not serve to drive your own story on in any way. You may have been brought up by the funniest, most eccentric, most loving or most dysfunctional family in the world, but if they have no role in the story at hand, don’t mention them.

And remember if you stick too close to the truth, you may be setting yourself up for some legal headaches, especially if you are presenting another person in an unflattering light. It’s best to change names, nationalities and/or genders, and settings. Once you make those factual changes, most people will fail to recognize themselves in fiction, simply because we don’t see ourselves as we are seen by others…

 

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About suehealy

Award-winning Irish writer/playwright Sue Healy’s work has been supported and developed by Dublin’s Abbey Theatre, the Peggy Ramsay Foundation and Arts Council England. Her full-length stage plays include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Sue’s work has also been performed at the Hackney Attic and Sterts theatres and festivals including the Claremorris Fringe (New Writing Award winner), the Brighton (Sussex Playwrights’ Award winner) and the UEA Contemporary European Drama Festival, Norwich. Autumn 2017 will see her work showcased at the Finborough, Arcola and Criterion theatres in London. Radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm. She has been a finalist for BBC Scriptroom 12, Eamon Keane Playwriting Prize, Nick Darke Award and the Old Vic 12 New Voices. Sue's prose has won the the Molly Keane Award, HISSAC Prize, Escalator Award and has been published widely. Sue has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from juried artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy. Sue is a UEA Creative Writing MA alumna. She spent eleven years in Budapest, editing Hungary A.M. She is currently London-based, completing a Ph.D. on the Royal Court Theatre. Sue is an Associate Lecturer in Playwriting at the Universities of Lincoln and Portsmouth, and tutors Creative Writing at City Lit. She is Literary Manager at the Finborough Theatre. View all posts by suehealy

One response to “Stranger than Fiction…

  • ldlagarino

    Sue, There’s a difference between truth and realism. While truth is the domain of journalists, realism is the essence of fiction. I have to confess, my life has been relatively boring, so when I create fictional characters, very often composites of people I’ve known or encountered on my journey through life, I’m more likely to ramp it up than tone it down.

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