Today is HG Wells’ birthday – and he must be sending some of his groovy bday vibes my way as my story ‘The Boot’ has just shortlisted for the HG Wells Grand Prize. Will be published in the anthology following the launch and winner announcement on Nov. 17th in Folkestone. Will keep you posted.
Writers’ Centre Norwich, who oversee the Escalator Scheme of which I am part this year, have uploaded to their website an excerpt from my recently completed novel, ‘The Hole in the Moon’. To access it, please click HERE
Synopsis: Dan P. Power is a self-loathing Irish dwarf who, as a child, fell from a tree and flattened his younger brother. With a life so luckless, no one should blame Dan P. for snubbing society, employment or for whiling his time away in Dublin’s pubs – least of all his dwarf girlfriend Stella, his parents or his therapists. They should leave him alone. He’ll stop drinking when he meets ‘the one’, everyone does.
And he meets her, Dora, a beautiful Hungarian masseuse who concocts strange herbal brews. Dan P. is so enraptured that he makes a pilgrimage to a mysterious ‘sheila-na-gig’ carving on land his father has acquired on Trafadden Island, to seek help with the conquest of Dora. Dan P. soon learns that Dora has abruptly returned to Hungary, however. Undeterred, he elects to go in pursuit of her, leaving Stella heartbroken.
Dan P. doesn’t like abroad. It’s too hot, all wrong and Stella isn’t anywhere to help; she won’t even answer her phone. Aid eventually comes via three old eccentric sisters: a flower seller, a beggar and a bee-keeper. The trio lead him to a castle where Dora is being held by the enigmatic guru, Wolfgang Attila, the leader of a strange cult. Thus, gathering all his courage and honing his circus skills, Dan P. sets about rescuing Dora, with a number of unexpected outcomes…
‘The Hole in the Moon’ is a humorous Magic Realist tale which weaves redemption plot and love story.
#pitmad is a Twitter event, a twelve hour window today during which you can pitch your novel to agents via a twitter post. The post must include the hashtag #pitmad and the genre of your novel (ie Adult, Young Adult etc..) – which leaves about 135 characters with which to pitch your MS and is an excellent way to hone your ‘elevator pitch’.
For those of you unfamiliar with the phrase, ‘elevator pitch’ is a Hollywood term script writers use fo the one/two line story synopsis one might use to sell one’s screenplay if one had the good fortune to run into Stephen Spielberg in an ‘elevator’ – and wished to use those 30 seconds to impress upon the director, your script’s great potential. The most cited example of an ‘elevator pitch’ is Star Wars being touted as ‘Jaws in Space.’
Getting to the crux of your story is crucial for a writer. Nonetheless, it is surprising the number of writers who are unable to sum up the kernel of their tale. And if you can’t, you’ve got a problem. You may have to finish your novel before you figure out the essence of your story but you do need to know what this is before you submit to agents.
For fun (useful fun!), I decided to write ‘twitter pitches’ for most of my recent work. See below or follow me on Twitter:
Novel THE HOLE IN THE MOON: Self-centred Irish dwarf leaves girlfriend & follows sexy Hungarian into kooky cult – redemption via 3 crones.
Radio Drama THE DAFFODIL: Closet-case narcissist hire alcoholic Eurovision has-been for singing lessons, forcing both to face their true selves.
Radio Drama COW: Infertility & arrival of Hungarian woman unsettle Irish couple. Howevr friendship develops & both women come to new world view.
Stageplay SHELLAKYBOOKY: Expats in Budapest are ignorant of host country/culture until son’s graffiti obsession unwittingly ignites revolution.
Stageplay SHEILA-NA-GIG: Opposing philosophies battle as diverse inhabitants of island vie for possession of recently unearthed female carving.
Stageplay ANGEL OF SZEPFALU: A legacy-focused racist mayor, a bitter Roma ghost & a technophobe blogger in farcical tale regarding human hubris.
Would love to read yours…
Just got news that my KCLR 96fm radio drama series The Daffodil has been given the funding nod by Broadcasting Authority of Ireland – should be hitting the studio in October. Oh yeah!
There’s a crackle in the air this morning, kids are back at school, autumn is here and it’s time to take stock. I’ve had a high gear year so far. Having won the Escalator Award – a professional development scheme for writers – I was determined to use 2013 finish my novel with the encouragement and direction of my Escalator Mentor, the novelist Tobias Hill. And I have. The time and investment the scheme afforded me has not only resulted in a completed MS of ‘The Hole in the Moon’, but also a screenplay of the same (and the screenplay has now been selected for further development with the Script Hot House scheme).
Next step for the novel is to find an agent. This is not the easiest step. As an Arts Council funded Escalator Prose Artist and a UEA Creative Writing MA graduate, who is also an award winning writer with a long list of short-stories published, plays broadcast and staged – you might think that I’ve automatically acquired the secret handshake that allows entry into the exclusive world of agented writers. This is not the case. My track record makes it likely that my submission will achieve some attention when submitted, ie I might make it to the top of the slush pile that week, but only the quality of my writing will result in an agent contacting me re representation.
I’ve been researching the subject of agents over the past week and it makes for sobering reading. Most agencies in London will receive an average of 450 manuscripts a month. From this figure, they might contact 3 or 4 regarding representation. And from those, perhaps one will go on to be published. Yes, it’s that competitive so don’t approach an agent lightly and send them you work only when you feel it is perfect. Tips on approaching agents include the following:
1) Finish your novel before you contact an agent.
2) Buy the lastest Writers and Artists Yearbook (if in the UK or Ireland) or the US/Can/Aus equivalent and make a list of agencies/agents who might be interested in your work. Think of an author whose work yours resembles and find out who their agent is (usually mentioned in “acknowledgements” page in a novel.) Research – make sure the agent you contact is interested in the type of book you are proposing. Check the “Yearbook”, if the agency states ‘no Romance’ don’t send them your love story. If they say no email submissions, do not submit by email etc… Make a list of twenty suitable agents.
3) Most agents (but do check first) should be approached with a cover letter of not more than a page in length, outlining your project and a brief bio. Also attach a one page synopsis and the first three chapters (or first fifty pages) – but as I said, do check with the submissions guidelines on their website.
4) Be polite and business like. Don’t adopt a grovelling/humorous/aggressive or any sort of extreme tone in your cover letter. Don’t send pictures of your cat or try to be cute.
5) It has now become acceptable to send out multiple submissions to various agents however, if you are doing so, it is only polite and respectful of agent time to let the agents know you are doing this. You might want to limit this send out to three agents at a time.
6) Some agents will get back to you within three weeks, others might take up to six months. Some you’ll never hear from at all. I feel that if you’ve not heard back after three months, it’s unlikely they’re digging your manuscript. It is acceptable to send a nudge email at this point to clarify but don’t be terribly surprised if you don’t even get a reply then. This happens, don’t take it personally.
7) If a number are interested in your work, make a list of your specific needs and choose the agent who might best meet them. However, your choice may all come down to chemistry in the end. Do meet them personally.
8) If you’re turned down across the board (say 20 or 30 rejections) you might want to rethink your project, put it in a drawer and get started on another. Some agents may have been generous enough to give you feedback re why they didn’t feel the book was right for them. Take note and come back to their comments in a few months when the raw disappointment has eased. If it is any consolation, I don’t know a published author who hasn’t got at least one unpublished novel languishing in a drawer. Put it down as part of your training as a writer and get cracking on your sophomore MS.
suehealy 