‘Agnes and Walter’ And the Shed…

I’ve blogged before about the writer finding inspiration via other art forms, be it visual art, poetry or even comedy.

Recently, I’ve gained a lot of inspiration from the dance world. And one of the shows  that started this interest, ‘Agnes and Walter’ has just launched a UK tour.

‘Agnes and Walter’ is compelling dance theatre. A love story tinkling with magic and fun, the piece is accessible to a broad audience.

However, for me, the most significant aspect of ‘Agnes and Walter’ is the exploration of human playfulness, creativity and imagination (i.e. art) which provide pockets of escape along life’s mundane path. And importantly, the show does not shy from investigating the close proximity of fantasy and insanity. It also encourages reflection on relationships, gender roles, and the passing and impact of time.

‘Agnes and Walter’ is punctuated by an eclectic musical score which includes live chansons, rock music and a specifically composed piano accompaniment. This music supplies moments of reflection and forms the bridges and borders between the quotidian world, the fantasy and beyond.

The relationship between reality and fantasy is perfectly symbolized in the show’s focal prop, a weathered garden shed that plays host to dreams, dance and love-making.

A blend of moving and comic theatre, ‘Agnes and Walter’ succeeds because it is quietly clever and thought provoking, yet remains all the while entertaining.

‘Agnes and Walter’ is devised by dance maker Neil Paris of SMITH Dance Theatre and is a must see if you’re in or near any of the following UK cities:

Norwich, Cambridge, Corby, Bridport, Lancaster, Nottingham, Luton, Bornemouth, Frome, Halifax, Stockton, Newcastle, Edinburgh and North Hykeham.

http://link.event.ly/v/262/2ef2a15113a476798cf9bf5e4f4c6e0cce60331af77e512c

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About suehealy

Irish writer/playwright Sue Healy’s work has been supported and developed by Arts Council England, Dublin’s Abbey Theatre, the Peggy Ramsay Foundation, the Heinrich Boll Association and Waterford Corporation/Tyrone Guthrie Centre. Her short play ‘The Dog in the Tree House‘ won the 2017 Claremorris Fringe Award. In 2016, her debut stage production, ‘Brazen Strap’ showed at the King’s Head Theatre. She was a finalist for the 2016 Eamon Keane Playwriting Prize, the 2016 Nick Darke Award and the 2016 Old Vic 12. In 2017, her work shows at the Hackney Attic (January) and the Etcetra Theatre (April). Sue’s nine radio dramas have broadcast on BBC Radio 4,WLRfm, KCLR96fm. She has also won the Sussex Playwrights’ Award, presented in the Festival of Contemporary European Drama and has had staged readings of her work in London, Norwich, Brighton and Cornwall. A UEA Creative Writing MA alumna, Sue’s prose won seven national prizes: the Molly Keane Memorial Award, BBC Opening Lines, Escalator Prize and HiSSAC Award. She spent eleven years in Budapest, editing Hungary A.M. Presently, she is London-based, researching a PhD on the Royal Court Theatre. Sue is Deputy Literary Manager at the Finborough Theatre. View all posts by suehealy

2 responses to “‘Agnes and Walter’ And the Shed…

  • melanielynngriffin

    Thanks! Crossing the Atlantic might post a bit of an obstacle. I may just see a movie instead. I agree with you about creativity being prompted by different kinds of art. I am amazed at how often I’ll see a movie and come home and *have* to write. It’s like an internal button, that says, “Create!”

  • bardessdmdenton

    Yes, I often am inspired by other mediums – especially movies or music. ‘Agnes and Walter’ sounds fascinating. Thanks for sharing!

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