Winter sojourn at Tyn-ny-Pant, Builth Wells, Wales thanks to veteran playwright Donald Howarth.
Socially, politically that was a stinker of a year. Selfishly, I have to say that professionally, for me, it was kind of groovy. I had an arts council funded without decor production of my stage play, “Brazen Strap” at the King’s Head Theatre, Islington. A play of mine was workshopped at the Abbey Theatre, Dublin. I was a finalist for the Nick Darke Award, the Eamon Keane Award and the Old Vic 12 and was granted a Peggy Ramsay bursary to fund my writing. I had my bi-lingual radio play “Blue King” produced and broadcast in Ireland. I was awarded a two week stay at the Tyrone Guthrie Centre for artists in Co. Monaghan, Ireland. I upgraded on my PhD and I got to spend time in the Loire Valley and Paris. I was promoted to Deputy Literary Manager at the Finborough, and attended a Criterion Theatre course in comedy writing. All of the above brought me into closer and new contact with interesting, talented and inspirational people.
Of course, every year brings its challenges and meeting them with grace is sometimes a challenge in itself! However, I think I’m doing alright – I’ve nurtured my friendships and I think I was there for friends and family when they needed me. So, I leave 2016 feeling good personally, if rather worried about the shape of things to come internationally.
I wouldn’t have achieved anything last year if I had not applied to all sorts of schemes and programmes, competitions and awards, theatres and theatre companies, media houses and arts bodies. It’s important to keep on keeping on. Put your work out there. Be tenacious. Make a plan and if it fails, make another.
Here’s hoping that 2017 will bring many good things, and the strength to deal with what look like bad things, with grace and optimism.
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About suehealy
From Ireland, Sue Healy is Literary Manager at the Finborough Theatre, London, a full-time Lecturer in Creative Writing at the University of Lincoln. Her book on theatre literary management is published by Routledge, December 2022.
Sue is an award-winning writer for stage, TV, and prose writer.
TV
Her current project, a 6x60minute TV series, is under option. She is under commission with Lone Wolf Media, producers behind PBS’ “Mercy Street”, to co-write the pilot and treatment for a six-part TV series.
Stage
Her most recent stage-play, Imaginationship (2018), enjoyed a sold out, extended run at the Finborough and later showed at the Stephen Joseph Theatre in Scarborough. Her previous stage productions include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Sue’s short plays have been performed at the Criterion (Criterion New Writing Showcase), Arcola (The Miniaturists) and Hackney Attic (Fizzy Sherbet Shorts).
Radio
Her radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm.
Prose
Sue has won The Molly Keane Award, HISSAC Prize, Escalator Award, Meridian Prize and has been published in nine literary journals and anthologies including: The Moth, Flight, Tainted Innocence, New Writer, Duality, HISSAC, New European Writers. She has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from annual artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy.
An academic with a PhD in modern theatre history, specifically the Royal Court Theatre, Sue has presented her research internationally. She spent eleven years in Budapest, editing Hungary A.M. She has a PhD in modern theatre history (Royal Court Theatre) and is a UEA Creative Writing MA alumnus.
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January 5th, 2017 at 15:26
Congrats – sounds an impressive year and also a lot of hard work. Hope the next year is equally fruitful.
January 5th, 2017 at 16:04
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January 5th, 2017 at 17:38
Comhghairdeas! That’s probably the best advice you can give someone who wants to write. Keep looking forwards, keep sending stuff off, keep writing, and don’t get despondent about the things you don’t get. After all, people have their own tastes and agendas. Just because the judges in a particular competition don’t rate it doesn’t mean that someone else won’t! Let’s hope 2017 is at least as good for you as 2016. 🙂