And The Nominees Are….

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It’s gong season. But forget your Tonys and Emmys and Oliviers and what-have-ya. Surely, the only drama awards that really matter are from the country that has given the world William Congreve, Oscar Wilde, Jonathan Synge, Sean O’Casey, George Bernard Shaw, Brendan Behan, Brian Friel, Samuel Beckett, Martin McDonagh and Enda Walsh (to name a few)… yes, that’s right, Ireland. And today, the Irish Times Theatre Awards nominations were announced….

I’m particularly happy to see Jim Nolan’s play ‘Dreamland’ nominated for ‘Best New Play’. Jim, one of Ireland’s leading playwrights, has been a great supporter/mentor of mine over the years and has directed all four of my radio plays to date. ‘Dreamland’, which toured nationally in the early spring, also gets a ‘Best Supporting Actor’ nod for veteran Irish stage actor, Des Keogh. ‘Dreamland’ deserves to win, but even the nomination at least is recognition of Jim’s talent and tireless work for theatre, particularly in Waterford. I should mention that another of ‘Dreamland’ s cast is up-and-coming actor Michael Power. No stranger to awards himself (he won the Best Actor at the Portsmouth International Short-Film awards earlier this year), Michael is a core performer of our radio productions having acted in all four. So, to see Jim’s ‘Dreamland’ get two nods today, is very pleasing indeed for all of us.

Also, over in the Best Opera Production category, the Cork Operatic Society’s ‘Der Vampyr’, directed by Michael Barker Craven, is among the nominated – no doubt due in part to the talents of soprano Maire Flavin (yes, I’m biased, she’s my cousin – but she is a stand-out talent).

So, break a leg, my luvvies x

http://www.irishtimes.com/culture/stage/irish-times-irish-theatre-awards-and-the-nominees-are-1.2068589

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About suehealy

Literary Manager at the Finborough, Sue Healy is an Irish playwright with a track record in stage and radio. Her most recent play, Imaginationship (2018), enjoyed a sold out, extended run at the Finborough and was later selected for a staged-reading at the Stephen Joseph Theatre in Scarborough. Her previous stage productions include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Her short plays have been performed at the Criterion (Criterion New Writing Showcase), Arcola (The Miniaturists) and Hackney Attic (Fizzy Sherbet Shorts by Women). Her radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm. She has been an interviewed finalist for BBC Scriptroom 12, Eamonn Keane Playwriting Prize, Nick Darke Award and Old Vic 12 New Voices. Her screenplay was shortlisted for the Shorelight Award. Sue’s prose has won The Molly Keane Award, HISSAC Prize, Escalator Award, Meridian Prize and has been published in nine literary journals and anthologies including: The Moth, Flight, Tainted Innocence, New Writer, Duality, HISSAC, New European Writers. She has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from annual artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy. She spent eleven years in Budapest, editing Hungary A.M. She has a PhD in modern theatre history (Royal Court Theatre) and is a UEA Creative Writing MA alumna. Sue is currently an Associate Lecturer in Playwriting at the University of Lincoln and the University of Portsmouth. She tutors Creative Writing at City Lit. View all posts by suehealy

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