Keep on Keepin’ on

 

 

It’s not over ‘til the fat lady sings at midnight December 31st, however I’m already reviewing my log for 2014. Writing-wise, I’ve had a middling-to-good year. As seems to be the norm, about a third of the ‘ships’ I sent out, returned to port carrying some form of booty, be it publication, acceptance, broadcast, recognition or short-listing. Veterans of this blog will know that when I refer to ‘ships’ I’m talking about all the short-stories, stage/screenplays, radio dramas, training/workshops, residencies etc… which I’ve sent out on spec re publication, staging or broadcast or whatever. Over two thirds of my ‘ships’ sank without trace. For a writer, that’s actually a good hit. That’s how hard this profession can be and how utterly important it is to be able to deal with relentless rejection.

So, these are the stats: .last year I sent out a total of 45 ships. Some 16 returned to port, 26 never made it and three are still out there bobbing on the waves of publisher/broadcaster whim. It was a pretty similar story in 2013 when I sent out 56 ships, 17 returned to port and 39 went nowhere. The highlights of 2014 were my three broadcast radio plays and beginning my PhD on New Writing at The Royal Court Theatre (and the move to London that entailed). I’ve also been selected to go to Italy (Assisi) to an artists’ residency in 2015 and a number of short-stories of mine have recently been selected for publication in anthologies – meaning a total of nine stories of mine have now been published, along with four broadcast radio plays. But, believe me, for every one of those ups, there have been at least two disappointments.

Rejection is part and parcel of the writer’s lot and learning how to handle it is one of the most important (and difficult) challenges writer faces. I’ve seen terrifically talented writers fail because they couldn’t hack the relentless disappointment. Equally, I’ve seen mediocre writers break through due to their tenacity and self-belief.

Don’t give up – look at how you can improve your rejected story/script/novel/play and send it out again. And, much depends on what the magazine or the competition judge is looking for at that particular time, it may not be a comment on your writing skills. It’s all about not giving up, and sending out more and more ships… Now, get back to work.

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About suehealy

Award-winning Irish writer/playwright Sue Healy’s work has been supported and developed by Dublin’s Abbey Theatre, the Peggy Ramsay Foundation and Arts Council England. January 2018 sees her play Imaginationship run for three weeks at the Finborough Theatre. Previous productions include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Sue’s work has also been performed at the Finborough, Arcola, Hackney Attic and Sterts theatres, and at festivals including the Claremorris Fringe (New Writing Award winner), the Brighton (Sussex Playwrights’ Award winner), the UEA Contemporary European Drama Festival, Norwich. Her work will also be showcased at the Criterion theatre on Dec. 4th. Radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm. She has been a finalist for BBC Scriptroom 12, Eamon Keane Playwriting Prize, Nick Darke Award and the Old Vic 12 New Voices. Sue's prose has won the the Molly Keane Award, HISSAC Prize, Escalator Award and has been published widely. Sue has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from juried artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy. Sue is a UEA Creative Writing MA alumna. She spent eleven years in Budapest, editing Hungary A.M. She is currently London-based, completing a Ph.D. on the Royal Court Theatre. Sue is an Associate Lecturer in Playwriting at the Universities of Lincoln and Portsmouth, and tutors Creative Writing at City Lit. She is Literary Manager at the Finborough Theatre. View all posts by suehealy

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