The Way You Tell ’em

Did you hear the one....?

Did you hear the one….?

A one-act play I penned was recently selected as runner-up in the STERTS annual competition and will receive a rehearsed reading in the Cornish Theatre as part of the prize for the same on December 7th, a night I’m very much looking forward to. If anyone is in the Liskeard area, it would be great if you could come along.

The play in question was initially inspired by a joke so I thought I’d revisit why jokes are such a great source of plot ideas. They are plots in miniature. Stories sealed up and ready to go. You’ve got your beginning, middle, end, your conflict, your characters – flaws and all. All you’ve got to do is flesh it out, expand on it, change gender and setting if possible. And no, your ‘adaptation’ doesn’t have to be funny because many jokes (indeed, stories) need an element of tragedy to make comedy (and vice versa) and you can just crank up the aspect you want to emphasize.

Here’s the joke that gave me the idea for ‘The Angel of Szepfalu’:

“It was Ryan’s funeral and the pallbearers were carrying the casket out from the church. When they bumped into a pillar, one of them heard a moan from inside the coffin. They opened the lid and found Ryan alive. He lived for another ten years before he properly died. Another funeral was held for him and, as the pallbearers were carrying out the coffin, Mrs Ryan shouted “Now, watch out for that pillar!”

OK, it’s the way ya tell ‘em… But the point is that they don’t have to be the funniest jokes – just so long as there is a story in there, a universal truth with which your readers will react and engage. Wordplay/puns won’t work so well, go for the story…

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About suehealy

Literary Manager at the Finborough, Sue Healy is a playwright with a track record in stage and radio. Her most recent play, Imaginationship (2018), enjoyed a sold out, extended run at the Finborough and was later selected for a staged-reading at the Stephen Joseph Theatre in Scarborough. Her previous stage productions include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Her short plays have been performed at the Criterion (Criterion New Writing Showcase), Arcola (The Miniaturists) and Hackney Attic (Fizzy Sherbet Shorts by Women). Her radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm. She has been an interviewed finalist for BBC Scriptroom 12, Eamonn Keane Playwriting Prize, Nick Darke Award and Old Vic 12 New Voices. Her screenplay was shortlisted for the Shorelight Award. Sue’s prose has won The Molly Keane Award, HISSAC Prize, Escalator Award, Meridian Prize and has been published in nine literary journals and anthologies including: The Moth, Flight, Tainted Innocence, New Writer, Duality, HISSAC, New European Writers. She has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from annual artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy. Sue is Irish. She spent eleven years in Budapest, editing Hungary A.M. She has a PhD in modern theatre history (Royal Court Theatre) and is a UEA Creative Writing MA alumna. Sue is currently an Associate Lecturer in Playwriting at the University of Lincoln and the University of Portsmouth. She tutors Creative Writing at City Lit. View all posts by suehealy

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