The 3 Rs: Residencies, Retreats, Respites

I’m currently organising my October residency in Ireland – which prompts me to reblog this piece I wrote on the same a couple of years ago. Apologies in advance if any links are now defunct – but do let me know.

suehealy

When people say that they’re jacking in the day job to write that book, in the same breath they usually tell you where this project is taking place. “I’m going to move to Paris/rent a shack in the woods/go to a monastery/live by the sea” they say, as if the locale will lend more credibility to their project.

It doesn’t. You can spend a year on a prestigious writers’ colony and come up with a heap of unpublishable, self-indulgent nonsense. Whereas, an amazing novel can be written in a council flat full of screaming kids, between the hours of 6-7pm every day – the important factor being “every day”.

Still, time and seclusion in an attractive environment do nurture creativity and attending a writers’ residency or retreat is not a bad idea – so long as you don’t think that the mere fact of being there is going to produce…

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About suehealy

Multi award winning Irish writer/playwright Sue Healy’s work has been supported and developed by the Abbey Theatre, the Peggy Ramsay Foundation, the Heinrich Boll Association and the Tyrone Guthrie Centre. Her 2016 play ‘Brazen Strap’ ran at the King’s Head Theatre, funded by Arts Council England. Her work has also shown at the Hackney Attic and Etcetera Theatres in London. Sue’s nine radio dramas have broadcast on BBC Radio 4, WLRfm, KCLR96fm. A UEA Creative Writing MA alumna, she spent eleven years in Budapest, editing Hungary A.M. Presently, she is London-based, researching a PhD on the Royal Court Theatre. Sue is Literary Manager at the Finborough Theatre. View all posts by suehealy

2 responses to “The 3 Rs: Residencies, Retreats, Respites

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