May 28, 2013
The 3 Rs: Residencies, Retreats, Respites
I’m currently organising my October residency in Ireland – which prompts me to reblog this piece I wrote on the same a couple of years ago. Apologies in advance if any links are now defunct – but do let me know.
When people say that they’re jacking in the day job to write that book, in the same breath they usually tell you where this project is taking place. “I’m going to move to Paris/rent a shack in the woods/go to a monastery/live by the sea” they say, as if the locale will lend more credibility to their project.
It doesn’t. You can spend a year on a prestigious writers’ colony and come up with a heap of unpublishable, self-indulgent nonsense. Whereas, an amazing novel can be written in a council flat full of screaming kids, between the hours of 6-7pm every day – the important factor being “every day”.
Still, time and seclusion in an attractive environment do nurture creativity and attending a writers’ residency or retreat is not a bad idea – so long as you don’t think that the mere fact of being there is going to produce…
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From Ireland, Sue Healy is Literary Manager at the Finborough Theatre, London, a full-time Lecturer in Creative Writing at the University of Lincoln. Her book on theatre literary management is published by Routledge, December 2022.
Sue is an award-winning writer for stage, TV, and prose writer.
Her current project, a 6x60minute TV series, is under option. She is under commission with Lone Wolf Media, producers behind PBS’ “Mercy Street”, to co-write the pilot and treatment for a six-part TV series.
Her most recent stage-play, Imaginationship (2018), enjoyed a sold out, extended run at the Finborough and later showed at the Stephen Joseph Theatre in Scarborough. Her previous stage productions include Cow (Etcetera Theatre, 2017) and Brazen (King’s Head Theatre, 2016), funded by Arts Council England. Sue’s short plays have been performed at the Criterion (Criterion New Writing Showcase), Arcola (The Miniaturists) and Hackney Attic (Fizzy Sherbet Shorts).
Her radio work includes nine plays broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm.
Sue has won The Molly Keane Award, HISSAC Prize, Escalator Award, Meridian Prize and has been published in nine literary journals and anthologies including: The Moth, Flight, Tainted Innocence, New Writer, Duality, HISSAC, New European Writers. She has been writer-in-residence on Inis Oírr, Aran Islands, and at the Heinrich Boll Cottage on Achill Island. She has also benefitted from annual artist residencies at the Tyrone Guthrie Centre, and at Ginestrelle, Assisi in Italy.
An academic with a PhD in modern theatre history, specifically the Royal Court Theatre, Sue has presented her research internationally. She spent eleven years in Budapest, editing Hungary A.M. She has a PhD in modern theatre history (Royal Court Theatre) and is a UEA Creative Writing MA alumnus.
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May 29th, 2013 at 15:38
May 30th, 2013 at 11:13
Oh, so pretty. Nothing better than a smooth-as-glass lake on a cloudy day.