Streets Ahead

The Oldest Street in England, Wells, Somerset.

I received a phonecall during the week to tell me that I’d been short-listed for the Wells Literary Festival Short Story Award. I was shortlisted for the same last year, and though I didn’t win, I had a very groovy time down in Wells. Definitely worth a detour if you ever get the chance.

I’m often asked what ‘kind’ of writer I am. The truth is, I don’t see myself as a ‘novelist’ or a ‘short story writer’, ‘playwright’ or a ‘poet’. I see myself as a writer and believe that a writer should be able to (at least) try all written forms.

I write and enter short story competitions for the following reasons and it is good for me to have this list at hand – in case I ever question myself.

a) Being shortlisted encourages and motivates – when such stuff is difficult to come by in the writer’s life.

b) I can get published in literary magazines.

c) Money, if I win.

d) It keeps me on my toes and hones and polishes my craft.

e) By writing stories I build up a portfolio – ready to go in case I’m ever offered a collection.

f) It gives me an edge when applying for bursaries, residencies, funding etc..

g) It might bring  the attention of publishers.

h) Short stories are something I can work on when time is limited.

i) An agent once told me that it is important to build up your writing ‘credits’.

j) Agents are human and sometimes don’t trust their own judgement, so wins and commendations give you that ‘seal of approval’/credibility.

k) Short story writing is a better displacement activity than making a cup of tea.

M) Having good writing credits help when applying for writing jobs.

p) Writing short stories reminds me that I’m a writer.

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About suehealy

Literary Manager at the Finborough Theatre and associate lecturer in playwriting at the universities of Lincoln and Portsmouth, Irish playwright Sue Healy has a PhD in modern theatre history. Her most recent stage play Imaginationship (2018) recently enjoyed a sell-out, extended run at the Finborough Theatre and is headed to the Stephen Joseph Theatre in Scarborough in August. Cow (2017) was staged at the Etcetera Theatre and Brazen (2016) ran at the King’s Head, funded by Arts Council England. Her work has been performed at the Criterion, Hackney Attic, Claremorris Festival (New Writing Award winner), Brighton Festival (the Sussex Playwrights’ Award Winner) and Sterts Theatre and has been developed by the Abbey Theatre, Dublin and support by the Peggy Ramsay Award. Her nine radio-plays have broadcast on BBC Radio 4 (Opening Lines winner), WLRfm and KCLR96fm. She has won prizes for her prose including the Molly Keane and HISSAC Awards and the Escalator Prize. A UEA Creative Writing MA alumna, Sue spent eleven years in Budapest editing Hungary A.M. Sue also tutors Creative Writing at CityLit. View all posts by suehealy

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