I’ve just returned from an artists’ retreat near Assisi, ( a sojourn bookended by stays in Florence and Venice). The muse visited and I’m rather stunned by the amount of writing I produced. Time will tell if it is good writing, I don’t know yet, I have to let it settle, but it certainly flowed. Ginestrelle Arte Studio is the fourth residency I’ve been on. They’ve all been great and interesting and why wouldn’t they be, providing time and distance from routine to concentrate on your art alone or in the company of other creatives. Each institution has provided something unique, whether it be conversation with the other artists, inspiration from the environment, tuition or the calm and stillness that lends itself so well to the creative process. I’ve previously enjoyed benefits of The Tyrone Guthrie Centre (Ireland), Aras Eanna (Ireland), The Hurst (UK) and this time Ginestrelle, (Italy).
I’m going to reblog below, a list of residencies/retreats I drew up some years ago. I haven’t had time recently to check, expand or prune this list, but please feel free to add your own comments/suggestions. And apologies if some of the links are out of date.
Do note that America is where the writers’ colony was born, hence its dominance of the list. The U.S. still provides the best, the most prestigious and the most difficult colonies to get into. Yes, “get into”. Therein lies the difference between a “residency” and a “retreat”.
Residencies are institutions to which you must apply and demonstrate your professionalism as an artist via a portfolio, and perhaps references and a CV that shows you are considered by your peers to be a practicing artist. Residencies are often funded by an arts and/or educational body and can mean you must also provide a service such as creative writing classes in the locality. Residencies can last from two weeks to a year. In Ireland, prestigious residencies include The Tyrone Guthrie Centre, Cill Rialaig and the Heinrich Boll Cottage, Even if accepted, you may have to pay for your stay. However, attending one of these establishments is an impressive addition to your C.V. and you may come into contact with some top tier “names” during a stay.
Then you get retreats. These are institutions that sometimes offer courses – the UK’s ‘Arvon Foundaction’ is a good example which has three properties around England and holds intensive writing courses throughout the year. Other retreats just offer room and board to writers for a fee, somewhat like a hotel but with an emphasis on creativity and productivity during your stay. Anam Cara and the Molly Keane house are Irish examples. They’re not as prestigious residencies, so you won’t be rubbing shoulders with artists of international reknown, but you might meet some interesting creative people and the surrounds are usually very picturesque and perhaps inspiring. Retreats are good for novice or emerging writers who are not yet at the stage in their career where they might gain acceptance on a “residency”, or if you simply want to try the set up out for a week or so, but can’t commit to a residency.
Finally, if all you want is some peace and quiet, why not rent some respite, a holiday cottage in the wilds of Connemara in autumn, or stay in a B&B on Dartmoor or a shack in the Catskills – you may be able to get a ‘low season deal’ and it may provide the inspiration you seek.
A sample (and by no means exhaustive) list:
If you know of more, please feel free to post!